February 9, 2009

Radio Free Runa — The First Nine

Filed under: Articles — 11:10 am

This is a message from Edred concerning Radio Free Runa.

The project known as Radio Free Runa is one where I can teach a wide range of topics rapidly and in a lively manner. These form a regular audio-feed from the website edred.net. Each broadcast is between 30 and 50 minutes in length. They cover a range of topics, most of which fall into one of three categories: 1) academic or historical background, 2) esoteric commentary and 3) practical and cultural applications. In fact these categories easily overlap in my presentations of them. This is intentional. I will be attempting to teach the Way of Runa in a deep and complex manner, while endeavoring not to be boring or difficult. For the most part I will talk about what interests me that day or week. But given the range of my interests, do not be surprised if you hear a good deal about Dumezilian Functions one day and Plan Nine from Outer Space the next … also do not be shocked if I find a way to synthesize them. By listening to the broadcasts of Radio Free Runa you will open your mind to the Odian Realm.
–Edred, Woodharrow, February 11, 2009Following is a summary for each of the first nine Radio Free Runa talks. The author is from the Rune-Gild.

You can listen to and download talks at the Edred.net community.

Radio Free Runa #1- Inaugural Broadcast
Nope, Edred’s not talking about the Presidential inauguration here, but rather the beginning of the Radio Free Runa series of lectures.
Simply, “A new year requires new approaches”.
Indeed. And so he lays out his plan and method. Three days a week, with three breaks per year, a systematic approach starting with basic topics building to more advanced. It doesn’t get much better than this, in my opinion. Very timely.
In a nod to the oral tradition and his teacher, Dr. Edgar Polome, Edred revives it here, with the goal making the teachings more accessible. He reviews a wide range of modern persistent, unconscious beliefs/behaviors that come directly from the ancestors and concludes with a direct question to all: “How much better could we be if we reclaimed it consciously?”
What do you think, just how much better?

Radio Free Runa #2- “Become Who You Are”
Edred did not overtly title this one, so find a better one if you can. I pulled this nugget out from a part of the conclusion. Actually, he’s quoting someone else here, though I couldn’t quite catch who…
There’s a great deal of valuable info contained in this broadcast. The concepts of esoteric vs. exoteric are discussed. The two types of Germanic tradition, “arfr” and “sithr” elucidated, a distinction so important to the work of the serious student. Also, and especially for us, the place of the runic tradition in all this is made clear.
We’re offered three more Old Norse words: “odhr”, “hugr” and “minni”, familiar to any seeker who has read much about the Northern tradition.
Much more to the point is, Edred says, is the 3-fold method these terms suggest. Very illuminating, to say the least.
For people cut off from themselves, looking, willy-nilly in every other direction, Edred has these words: “Become who you are”.

Radio Free Runa#3- On Culture
Edred says Friday broadcasts are meant to be a more wide-ranging application of his ideas, and especially as they apply to modern pop-culture.
So with that in mind, this talk lays the groundwork, so to speak, by examining just what is meant by the term “culture”, using the culture grid contained in the article “How to be a Heathen”, the book Blue Runa and elsewhere.
Fascinating stuff, and for me much better heard than read somehow. How is it, as Edred maintains, that we have become, as a culture, alienated from the root idea behind the concept of culture? Thoughts anyone?

Radio Free Runa #4 - Germanic Weekday Names
A remote broadcast done before live audience at the Woodharrow Institute, Edred seems in high spirits here. There’s the ubiquitous cel-phone going off every now and then, periodically a couple of native woodpeckers decide to go nuts on the side of the building, and Edred even takes some audience questions at the end. It’s everything a remote broadcast should be!
I thought I knew this topic but there’s a lot of interesting detail that I had no idea about. Though I knew the names, I never knew the ancestors actually had only 5 days in their week. Well worth a listen, especially for comparative linguists, because this aspect of the weekday names is covered in fascinating detail…
But there was much more… Most intriguing to me was the idea that of all the Germanic-named days surrendered by some of our peoples (Icelanders for example), Wednesday was the easiest to part with since folk were somewhat scared of Woden anyway…

Radio Free Runa #5 and #6 - Runes and Runa (Parts I and II)
Edred immediately says a better title for this lecture pair would be “Runa, the Natural Pathway to Inner Freedom”, but it wouldn’t fit in the header space!
I can’t say much about these talks. In silence I bow my head to them and the wisdom behind them. They are a “must listen”. Vast, wide-ranging, as deep as space. Trying to sum up here would only do them a disservice and anyone reading this. I’ve heard them twice and I’m going to do myself a favor and listen again. Listeners, help me on this one.
Here is a rough list extracted from my notes of some areas covered: Runes and runa as a “way of working” with Odhinn as the originator, Jungs riverbed, ancestral concepts of nature especially as discovered in our etymology, our own nature, ideas of tribal vs. universal religions, the modern idea of spiritual “choice”, ideas of resonance and interlocking forms of morphic resonance, Pan-Indo-European organization of the Gods, loyalty, troth, and the “hyper-body”, especially as repesented by the World-tree.
I really loved the use of the tree as metaphor for the hyper-body. This image alone gave me a whole new understanding of things, and that happened repeatedly in this set. Many areas for discussion.
A truly great pair of lectures. Give them a listen.

Radio Free Runa #7 - Ancient Germanic Tribes and Tribalism
Here is an exoteric topic of great interest as Edred focuses on the ancient Germanic tribes. What does the concept of “tribe” mean really and how did this fit into the Ancients sense of their place in the world? To whom did an individual owe loyalty? How did one become a member of a tribe? What did the idea of “nation” mean to them? There’s plenty of important nuance provided here, as healthy antidote to our modern misconceptions and prejudices…
In broad detail he looks at the various tribal names, their meanings and what this says about how they viewed themselves.
Finally, the three different types of ancient tribal government are examined in some detail, and a look at how tribes were formed…
Promised in the future is a talk about “the way foward”. That is, for us today, what did we lose when we lost our tribal heritage, and what can be regained without giving up modern gains (like this nifty computer I’m banging on)? That should be a good one!

Radio Free Runa #8 - Our Basic Esoteric Principles
Folks, in my poor attempts to describe these broadcasts, the well of superlatives is starting to run dry. I should’ve saved some but I didn’t know I was going to need them so badly. This is particularly true for the esoteric (Wednesday) broadcasts. If I didn’t like them and find them tremendously valuable, then I wouldn’t have this problem, I assure you.
Well, it’s not a bad problem to have.These talks are great gifts, a boon to whoever is ready to hear them.
Edred begins by saying that while this is not a “basic catalogue”, he has never so directly addressed these principles in such a systematic way. They are: Runa, Isolate Intelligence, Hierarchism, Proximity and Geneticism. They underly the work of the Gild, his own work, the Germanic tradition and Indo-European heritage as a whole. “If these principles are grasped in essence, everything else follows,” enigmatically adding that a 6th principle is later to be added.
For me, this broadcast is worth listening to repeatedly, as my sponge can only soak up so much at a time.

Radio Free Runa #9- “How I Heard the Word Runa”
This broadcast has the distinction of being a mostly personal story that the others are not. It’s told in a way that manages to be many things, alternately and sometimes at once: Funny, poignant, inspiring and even instructional…
People have, no doubt, wondered about this incident, alluded to in many writings. Here it is… What I found beautiful about it was how it speaks to the quirky ways in which our destinies sometimes make themselves known, and it does so in completely sincere and personal way.
There’s the Wiccan priestess girlfiend, a pilgrimage in un-air conditioned vehicle to find a Tibetan Lama - somewhere near Houston- in the Texas summer (this heat can be almost deadly I promise you!). The truth, as they say, is stranger than fiction.

January 30, 2009

The Serpent and the Eagle, book and e-book bundle

Filed under: Articles — 12:44 am

The Serpent and the Eagle: An Introduction to the Elder Runic Tradition
by Chris Travers

This is the best of both worlds. You can download an electronic version of this necessary book immediately, and you will be shipped a hard copy as well.

The Serpent and the Eagle was written to be the ideal beginner’s book on the Runes. By exploring the rich lore from Germanic mythical sources as well as comparative studies, this work provides a solid basis of understanding the Runes as well as fruits of the author’s own research unavailable elsewhere.
The first part of this book is a basic overview of most important elements of Germanic cosmology. In this work, the structure of the World Tree, space, time, and social order are explored in detail as they relate to the Runes.
The second part explores the structure and meaning of the Elder Futhark using a variety of methods. The meanings of the Runes are made accessible and enough information is provided to help the seeker explore this subject further.
The third part of this book explores practice. Here one will learn how to explore the Runes using meditation, get answers to questions using divination, and use the Runes to create changes in your life. Anyone interested in Runes, whether a novice or an advanced student, will find a wealth of information and insight in this book.

For US Customers

http://edred.net/community/members/16/vault.php?p=3

For International Customers

http://edred.net/community/members/16/vault.php?p=4

January 26, 2009

Handy Edred.net Links

Filed under: Articles — 11:12 am

A complete listing of digital documents is available at http://edred.net/community/index.php?t=browse_vault

To learn about subscription discounts go to
http://edred.net/subscription/

Runes and Magic Pre-Order

Filed under: Articles — 9:23 am

This is an announcement from Edred regarding two seminal titles now available from Runa-Raven Press. Runa-Raven Press services the USA only. International orders may be made at Edred.net.
Checkout prices will include shipping costs.

Runes and Magic: Magical Formulaic Elements in the Older Runic Tradition
http://www.runaraven.com/index.php?main_page=product_info&products_id=72

Stephen E. Flowers

Originally published in 1986, based on the author’s 1984 doctoral dissertation, this volume has become the leading academic study of the topic of rune-magic. When originally released only 250 copies of this work were printed in a prohibitively expensive edition. This new revised and updated version allows more readers to discover the revolutionary contents of this book which presents a comprehensive history and theory of the concept of magic in connection with the ancient Germanic runes. It also catalogs, categorizes and analyzes the many magical formulas used by the most ancient rune-masters and shows how these formulas were utilized within the traditional Germanic cultural frame of reference. No mater what your level of interest is in the runes, this is the most in-depth text you will find.

Note from the author:
The text of RUNES AND MAGIC is now in the final stage of editing. Due to financial considerations we will only be able to print a limited number of copies of this long-awaited new edition of the major academic work on the use of runes in magical operations. The book is now being offered on for pre-order. We will print at least as many as we get pre-orders for. So if you want to ensure that you get a copy of this work, please pre-order it now.

RUNES AND MAGIC will go to press about February 15, 2009.
Upon purchase You will be notified that you’ve reserved a copy and when the item has shipped.

http://www.runaraven.com/index.php?main_page=product_info&products_id=72

$25.00

International Orders: http://edred.net/community/members/1/store.php?p=3

Symbel 1
http://www.runaraven.com/index.php?main_page=product_info&products_id=71

This is the inaugural edition of the official journal of the Woodharrow Institute. It contains four fascinating articles of interest to various readers: “Elf-Quern and Elf-Shot: Language of Healing and Harming in Germanic Ritual Practice” by Dr. Stephen C. Wehmeyer; “On Magical Runes” by Prof. Dr. Magnus Olsen; “The Germanization of Christianity in the Theologia Germanica” by Dr. Glenn Alexander Magee; and “The State of Traditional Germanic and Scandinavian Studies in the Universities of the United States” by Michael Moynihan. The Olsen article is a translation of one originally published in Norwegian in 1916 and it one of the seminal academic works on the concept of rune-magic. The article by Michael Moynihan is useful for discovering local universities and their programs in areas of study which interest us. All proceeds from the sale of this work go to the Woodharrow Institute, a nonprofit foundation.
http://www.runaraven.com/index.php?main_page=product_info&products_id=71

$15.00

International Orders: http://edred.net/community/members/1/store.php?p=4

October 21, 2008

Black Runa available on Edred.net

Filed under: Articles — 8:47 am

Black Runa is now available on Edred.net. This seminal piece has been out of print for many years, but is now available for members of Edred.net for digital download. Membership is free.

To view all titles available go to http://edred.net/community/index.php?t=browse_vault

To sign up for Edred.net go to http://edred.net/community/ and register.

Black Runa

Being the Shorter Works

of

STEPHEN EDRED FLOWERS

Produced for the Order of the Trapezoid

of the Temple of Set

(1985-1989)

From the Introduction:

What you have before you is an anthology of contributions I made to the official internal organ of the Order of the Trapezoid within the Temple of Set. These were published between the years 1985 and 1989. Many of the articles have to do with some aspect of the Northern tradition of magic and initiation— but from the unique angle of the Left-Hand Path.

Black Rûna is designed to allow the general public some access to the genuine ideological and magical world of the Order of the Trapezoid— which I hope will dispel much of the inflammatory nonsense that has been written about this noble Order in the tabloid-type press.

Stephen Edred Flowers

 

 

Contents

Introduction……………………………………………………………… 11

Mysteries of the Graal (1985)……………………………………….. 21

On the Way of Wotan and the Left-Hand Path (1985)………….. 24

The Command to Look (1986)………………………………………. 27

Trapezoidal Runology (1986)……………………………………….. 32

Runes and Angles (1986)……………………………………………… 38

Graal Mythos in Old English Runes? (1986)……………………… 39

Runic Origins of the “Peace Sign” (1986)………………………… 41

Set and Wotan (1986)…………………………………………………. 43

Walburga in Khem (1986)…………………………………………… 47

Trapezoidal Cinema (1987)…………………………………………. 49

Austin Osman Spare and the Track of the Trapezoid (1987)…. 53

Magie und Manipulation (1987)…………………………………….. 56

A Root of the “Occult **** Mythos” Review of The Occult

Causes of the Present War (1987)……………………………… 65

Infernal Contraptions (1987)………………………………………… 68

Galdr ok Seidhr (1988)………………………………………………. 71

**** Occultism Revisited (1988)……………………………………. 74

On the Choice of a Human Sacrifice… (1989)…………………… 81

Bibliography…………………………………………………………….. 85

Notice…………………………………………………………………….. 87

March 27, 2008

Rûna Magazine

Filed under: Articles — 11:07 am
  • A limited number of Rûna Magazine copies are available. You may purchase these wonderful periodicals by clicking on the appropriate links below. Edited by Ian Read, each issue is a collector’s item in it’s own right.

Rûna Magazine #15
Exploring Northern European Myth, Mystery and Magic

  • The Cernunnos Mystery — Thierry JolifVoisungadrekkr II — Paul Fosterjohn
  • A Germanic Magic Lantern Cycle — Michael Moynihan
  • Light my Fire — Simon Collins
  • Nigel Pennick Interview — Joshua Buckley
  • The Lord of the Rings III — Michael Sangster

Rûna #15 Orders:

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Runa Magazine #16
Exploring Northern European Myth, Mystery and Magic

  • The Lyminister Knucker — Local Wyrm
  • Stephen Flowers Conversation
  • Nigel Pennick Interview II — Joshua Buckley
  • Rig’s Tale — Dave Lee
  • The Lord of the Rings IV — Michael Sangster
  • Reviews

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Runa Magazine #17
Exploring Northern European Myth, Mystery and Magic

  • English Country Music — Roger Digby
  • Stephen Flowers Conversation
  • The Sky Under the Earth — Dave Lee
  • What English Folk Music? — John Kirkpatrick
  • Grettir the Strong - A Doomed Hero — Ingrid Wultsch
  • The Fowlers Troop Jack in the Green — Sarah Crofts

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Runa Magazine #18
Exploring Northern European Myth, Mystery and Magic

  • Vedic India — Dr. Stephen Edred Flowers
  • The Valknutr — Valgard
  • Creation Myth — D. Jonathan Jones
  • Learning and Teaching Old Norse — Jim Chisholm
  • Idun — Alice Karlsdottir
  • Tungital — Paul Fosterjohn
  • The Wail of Woden — A.C.Haymes
  • On Poetry — P.D.Brown

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Runa Magazine #19
Exploring Northern European Myth, Mystery and Magic

  • Turning the Elf-Mill — Ristandi
  • Tungital — Paul Fosterjohn
  • Evil? — David Jones
  • The Runes of the Holy — Ensio Kataja
  • The Griffin — Elisabeth Griffin
  • Rites of Passage — Tapio Kotkavouri

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Runa Magazine #20
Exploring Northern European Myth, Mystery and Magic

  • Echoes of Dragon Slaying — Jennifer Culver
  • Tungital — Paul Fosterjohn
  • Tolkien: A radical Traditionalist? — David Griffiths
  • Carpe Diem — Michael Kelly
  • The Ninth Wave — P.D. Brown
  • The Comparative Method — Stephen Edred Flowers

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Runa Magazine #21
Exploring Northern European Myth, Mystery and Magic

  • The Man Who Met Odin — John Cooper
  • Philosohical Notes on the Runes — Collin Cleary
  • Steps Along the Way — Alice Karlsdottir
  • Mauschwitz — David Jones
  • A History of Song — Michael Cunningham
  • Performance — D. Jonathan Jones
  • A Proliferation of Heathen Names in Iceland — Carlos B. Hagen-Lautrup III
  • The Common Law is Pagan, not Christian — Jim Chisholm
  • A conversation with Stephen Edred Flowers

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Runa Magazine #22
Exploring Northern European Myth, Mystery and Magic

  • Michael Cunningham
    In the Shadow of the Tree
  • A Conversation with Stephen Edred Flowers
  • Exchange Listing
  • Collin Cleary
    Philosophical Notes on the Runes II
  • David Griffiths
    Symbolic Resonance between the Brythonic and Germanic Traditions
  • Reviews
  • David J Wingfield
    Canis Canem Edit

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March 24, 2008

How to Be a Heathen

Filed under: Articles — 9:20 pm

How to Be a Heathen:

A Methodology for the Awakening of Traditional Systems

By

Stephen E. Flowers

The following paper was generated from a talk delivered to the Pagan Student Alliance of the University of Texas at Austin, November 22, 1991 and is dedicated to the memory of Edwin Wade, Óðinsgoði, who died on this date in 1989.

I have come to you to speak about how exactly one might go about being a heathen, or pagan, in today’s world.  What I will say will be of use on two fronts.  First, it will provide a model for the rationally intuitive “reconstruction” or revival of heathen religions – or better said – cultural value systems.  But second, it can also act as a sort of manual of “consumer guidance” for such systems.  Since we are swamped with the “marketing” of such systems on a constant basis, I think the time has surely come for some discussion on how we should approach them. 

The whole issue of culture is often glossed over, especially by American writers.  This is because there is usually only tenuous understanding of what all is meant by this term.  When we speak of culture, we may meaningfully break it down into four types of culture – all of which blended together give us a true picture of any given historical society, ancient of modern.  There is:  1) ethnic culture, 2) ethical culture, 3) material culture, and 4) linguistic culture.  These may be conveniently illustrated as in Figure 1.

 

Culture

Ethnic

Ethical

Material

Linguistic

Figure 1:  The Culture Grid

All kinds of culture have to do with contact of some kind between real people.  Humans are cultural animals.  To survive we need to absorb, intellectually and consciously, tremendous amounts of cultural data.  The faculty to generate culture and to absorb its contents is one of the things that separate us from the “other” animals (Which is another way of saying what makes us something other than animals). 

Ethnic culture is a purely physical reality.  It has to do with the reproduction of the carnal human reality – physical bodies – through sexual contact.  It is, if you prefer the term, the “racial culture” of a people.  In any holistic understanding of culture this must, of course, be accounted for and discussed.  When we look around the world today, we see cultures like Japan which has an almost entirely homogeneous ethnic culture.  This is also reflected in other aspects of their over all cultural model, which is to be expected.  They constitute a true nation, in the original meaning of that word, i.e., a people sharing a common birth (from Latin natio, I am born).  The United States of America on the other end of the spectrum, is not a true nation but rather a multi-national state.

Ethical culture is the most complex kind of culture.  It touches all the other types, and is usually what most people think of when they think of culture at all.  It has to do with everything that is contained in, and generated from, the minds of humans (in that given culture).  It contains the categories of everything from religions to political ideologies, to literary traditions, to economic systems.  Ethical culture is the collective ideology – or spiritual systems – of a society. 

Material culture comprises, on the other hand, all the physical objects created by art (i.e., craft).  These are the artificial projections onto the physical world of the contents of the mind – of ethical culture.  Often we know of a given historical culture only by means of the artifacts (objects of material culture) left behind in the archeological record.  This is, for example, the case with the “Old Europeans,” the pre-Indo-European folk of the far western part of the Eurasian land mass.

Finally, linguistic culture is the language spoken and understood by a people.  This is most intimately connected with ethical culture, for especially in the case of cultures of the past it is virtually only through linguistic records that we can determine what the content of their minds – their ethical culture – was.  Factors from the material culture also become extremely important here because it is usually only through tangible (i.e., material) records of the linguistic data that we can know the thoughts of the people of the past as directly as possible – through actual scrolls, papyri, inscriptions, books, etc.  This is how they can speak to us most directly and most clearly over time, and we must hear them in this way to be sure of the voice of the past. 

What most heathens, or pagans, seem to be interested in is the revival of ancient cultures.  They like to go back in their minds and imaginations to a time when the cultural grid was a holistic one – where one could speak of (just to name one example) the Germanic culture as a whole:  Germanic folk, Germanic religion, Germanic art, Germanic language were one organic whole.  If a sense of this wholeness can be regained, it can again make a positive impact on the individual and the culture to which that individual belongs by healing the sense of alienation the loss of that wholeness causes.

This is a noble endeavor.  But it is a difficult one to do well and reliably and with a minimum of subjective wish fulfillment.  The establishment of a method of doing all this is what I hope to contribute to with this paper. 

The “neo-pagan movement” is rife with subjectivism.  People reconstruct the “past” in the vision of their own private needs and prejudices.  Neo-paganism is often less a religious path and more a system for the validation or justification of subjective biases.  Sometimes these subjectives result in effective and sometimes beautiful systems of thought and practice:  take for example the original form of Gardnerian Witchcraft.  But their bases are nevertheless in the subjective needs and prejudices of the creators.  What I propose is the development of an objective, rational basis for a system from which reliable and more profoundly useful systems can be developed.

A little less than two thousand years ago, when someone mentioned “pagan science” or “pagan thought” (as distinguished from “Christian”) it implied that there was a rational basis to it – not a “revealed,” irrational one.  How much that has changed over the ensuing years!  I would like to see the pagan birthright of rationality restored to us.  So that when the word “pagan” is heard it will not necessarily call up images of whacked out misfits, but will on the contrary be synonymous with clear-headed, yet inspired thought. 

One of the great pagan thinkers was a Greek named Plato.  His system was almost entirely from his indigenous philosophical tradition (although for the sake of prestige he often invented myths about more exotic sources for his thought).  Greek idealism, like Indian idealism, is really derived from the same Indo-European ideology.  Idealism is, in this context, the supposition that there is a more real, more permanent, world beyond this one, and of which this world is a shadow or reflection.  To the traditionalist this is the world of the gods and the world of laws beyond them to which they are also subject.  For Plato and the Indian philosophers of the Brahmanas and Upanishads the world beyond is filled with impersonal first principles, or forms (Greek eidos), or archetypes, if you will.

If this world is a reflection or shadow of the ideal world, and if we can learn the laws and principles of how such reflections or shadows are made, we have the possibility of discovering the truth about the hidden world beyond our senses.  The way to discover these truths is, furthermore, shown to be a process of rationally intuiting the objects of knowledge beyond the grasp of our senses.  We begin with what we may know rationally, significantly improve on that knowledge, and then jump intuitively (using objective knowledge as our spring-board) into the world beyond the rational.  The main problem with pagan thought as usually practiced today is that there is a good deal of jumping – but the spring-board is made of balsa wood. 

Plato identified four levels, or types, of knowledge, as shown in figure 2.

 

Type of Knowledge

Object of Knowledge

4. Rational Intuition

Forms

3. Logic

Mathematical Objects

2. Belief

Things

1. Conjecture/Guess-Work

Shadows

Figure 2:  Platonic Scale of Knowledge

Conjecture, or guess-work (Greek eikasia) hardly qualifies as “knowledge” at all.  No one should “think” like this.  Although all of us do at least occasionally – and most people do most of the time.  This is the kind of thought that is based on nothing but totally subjective “evidence,” or worse yet, on the subjective evidence provided by others.  Two-dimensional characters, such as Archie Bunker, provide perfect examples of such people.  Such people know nothing but the shadows of real things. 

Belief (Greek pistis) is a faith in the validity of things which have been received from authoritative sources.  In a traditional society these authoritative sources are easy to identify.  The priests and priestesses of the national divinities, tribal elders, etc.  In our postmodern world these authorities are more difficult to identify reliably.  If nothing else, this paper should be of some use in that process.  At this stage the person knows real things, but can only follow certain directions with regard to practice when dealing with things beyond the world of the senses.  To this realm belong what we usually think of as “religion” – the correct performance of rituals, etc.  This is the level at which the vast majority of people are comfortable.  As far as a healthy society is concerned, this is also the level at which most people should be satisfied.  Beyond it is a realm of spiritual toil and anguish.

There is a gulf which separates belief from logic.  The tension across this gulf was quite palpable in the modern age. 

Logic, or rational thought (Greek dianoia) is knowledge of the kind we would today call “scientific.”  It is essentially based on data, which are, as often as not, rooted in mathematics.  As we have come to learn in the modern world, if you “have the numbers” concerning something it is likely that you will be able to manipulate or reshape that thing.  You can control it because you have quantified it.  To this realm of knowledge we would today ascribe all of the arts and sciences taught and researched at our universities.  Universities are temples to Dianoia – or thought.  Today credible knowledge seems to end here.  Beyond it lies only mumbo-jumbo and ufo-ria.  But such was not the case in pagan times.

Rational intuition (Greek noesis) is the highest kind of knowledge.  But one can non leap from belief into rational intuition – one must pass through dianoia.  Long training in objective science (in whatever field) is necessary to cause the mind to function in a reliable manner.  Then when it is prefocused on more “spiritual” objects the knowledge it gains will be maximally reliable – or real.  We no longer have traditional schools for training in this kind of knowledge.  All the schools which exist at present in cultures derived from European roots are new schools.  So the question becomes one of quality, not age or legitimacy of authority. 

This scale of knowledge, and this whole discussion of pagan bases of knowledge in general, has been offered to give some sort of context for the body of this presentation.  The point will be that the “reconstruction” of whole cultural systems must (at least according to the best kind of pagan knowledge) be based on objective criteria and data, but additionally they must just as much be matters of actual doing – not merely ivory tower theorizing.  It is only through enactment of theory that knowledge becomes real.  We can only learn the most important things through action and experience.

How is it that we know how to put men on the moon, or how to build bombs that can destroy the world (proving that we are indeed gods of the planet) today – but we – as a species – in fact know nothing more about the most profound human problems of Love, Truth, Justice, etc. than did good old Plato?  “Progress” can be seen clearly in technological fields because this kind of knowledge (technical knowledge) can be passed on easily in a system of belief from one person to another, from one generation to another.  Each person, each generation, does not have to “reinvent the wheel.”  But when it comes to those other things, those things which cannot be passed on by authority from one person to the next, every person does indeed have to reinvent his or her own wheel.  But not just any wheel will do.  It has to be the right wheel.  This is what initiation is all about.  This further points to the methods used by philosophers which really can only put the student in a place where knowledge can be gained directly from the source.  The teacher cannot impart the knowledge, only create the conditions in which knowledge can flow into the student’s conscious mind. 

Can a Dead Cultural System be Revived?

Before beginning our quest, we must refine our goals.  To the basic question of whether a truly dead cultural system – such as the Egyptian, Sumerian, or Indus Valley – can be revived, I think the honest answer must be:  “No.”  That is, human creativity can (re-)create something of an artificial likeness of such a cultural system to vivify it with action and devotion.  But the thing itself is not actually brought back to life.  This is in part also due to the fact that in the cases mentioned above the lines of continuity of ethnic, ethical and linguistic culture have been irreparably broken. 

But to a slightly different question of whether a sleeping cultural system can be awakened, the answer may be more confidently be given:  “Yes.”  If there is some continuity between the past and the present in all four cultural areas – but if a cultural system has nevertheless become disestablished – then it is said to be not dead but merely sleeping.  Such is the case with the Germanic tradition.  We form a continuously identifiably ethnic unit, we hold many of the old ethical traditions (see everything from concepts of “English Common Law” to the “Christmas” tree), we still create art based on Germanic concepts of abstraction, and we certainly still speak a language derived directly from that of our pre-historic ancestors.  None of these categories is completely dead – all are just sleeping under a blanket of Christian/Middle Eastern overlay.  The same could be said for the Celtic, Italic, Hellenic, Slavic, and a dozen other traditions.

In many ways what I will present in the sections that follow is the method I used in the awakening of the Germanic tradition in a score or so books I have written on the subject, and the methods used for awakening slumbering practices and beliefs in the Asatru movement as a whole.  This methodology is essential for students of any such cultural system.
 
The Process of Awakening

The process of awakening comes in three phases.  These do not follow in the linear pattern 1-2-3, however.  That is, you do not start in Process I, finish it, and then move on to Process II, etc.  Really we are involved on all three levels throughout our lives as long as we are dedicated to the long process of reawakening the hidden reality within.  But, with all this being said, wisdom must be applied at all times to discipline one’s self so that in the early part of one’s quest most of one’s time is spent on Process I, while relatively less time is spent on the latter two.  As the years do on the balance will begin to shift, and relatively less time will be spent on the objective tasks and more time will be spent in the activation of what one has learned.  It is in this latter stage that true understanding arises.

Process I is one of rational discovery or objective analysis – where the traditional record is examined in a scientific manner. 

Process II is one of subjective synthesis – where the data gathered and analyzed in the first process are allowed to sink into the subjective universe, or soul, or the individual.  Here it is allowed to become whole with your mind.

Process III is one of enactment – where the inner synthesis is activated, made to become effective in the objective universe. 

Process I

Rational Discovery or Objective Analysis

To begin the first process we have to ask ourselves one basic question:  What do we have to work with objectively?  Now at this stage we must remind ourselves that we are sticking to things that are part of the objective record.  What so-and-so might have “channeled” concerning the true nature of the old Germanic, Celtic, or Egyptian system is, whatever else it might be, not objective.  To accept such material or ideas is simply to believe in the power of that individual to “channel” such things.  You are dealing with “revelations” not traditions.

So what are the kinds of things that can tell us about the objective tradition?  These are mainly written sources for reasons outlined above.  Does that mean that everything that was ever written by or about a culture is to be used without discrimination?  Certainly not.  Discrimination is of the highest importance.  The sources must be used in the following order or precedence: 

  1. Internal Contemporary Texts
  2. External Contemporary Texts
  3. Archeological Evidence
  4. Internal Surviving “Texts” (e.g., folklore)
  5. Secondary Texts
    1. Autochthonous
    2. Comparative

Internal contemporary texts are ones such as the Eddas or runic inscriptions which give us some sort of direct insight into the minds of heathen Germanic peoples.  External contemporary texts are things such as the Roman and Greek historians’ and ethnographers’ accounts of the people indigenous to the north.  Although their views may be skewed for one reason or another (and these reasons must be examined) they did have more direct sources of raw information perhaps than we can today, and so remain tremendously valuable.  (For a collection of these see James Chisholm’s Grove and Gallows [Rûna-Raven, 2001].) 

Archeological evidence is mute.  It can not “talk,” that is, convey verbal information, without corroboration from textual sources.  If a statue of an otherwise unknown god or goddess is dug up somewhere, and it cannot be identified with some figure in the local mythology as recorded in texts, what are we left with?  All that remains to us is some pretty wild speculation based on nothing but an image.  But if that same artifact is to some extent “explained” by a textual source, then it becomes a great window into the spiritual life of the people.

Again, this bears reiterating, all we can objectively know about a bygone culture must be found in an objective record – written or archeological – and all interpretations of that record must be held to judgments based on the objective record.  To proceed otherwise is simply to be a believer in modern prejudices and prophets.  To illustrate this with a concrete example, of the many rune books that came out in the 1980s (with one exception) only my works were based on the actual tradition of runology well-known from the runestones, rune-poems, and modern scientific runology itself.  All the others freely altered or dispensed with (or more accurately, were simply ignorant of) the traditional knowledge available in any good reference book on the subject – if you couldn’t be bothered to visit a runestone.  But books were written on the bases of these wild speculations, prejudices, and wishful thoughts.  How to decide “which” runic system to use?  In a way, I was faced with this same problem when I started my own esoteric studies.  But I realized that all foundations had to go back to some objective piece of evidence – to some runic inscription, to some Eddic or runic poem, to some saga passage, and perhaps to some comparative evidence – all else was interpretation.  But as I came to see it, it had to be interpretation based on the whole of the tradition, not just one select part of it. 

Another slightly different class of primary evidence is provided by folklore.  By folklore I mean customs, stories and all kinds of traditions that have been handed down in a continuous fashion from early times.  Examples of this kind of evidence would be folk-tales collected by the Brothers Grimm or the various country customs collected by folklorists throughout northern Europe.  It is probably true that a great deal of this goes back to pre-Christian, heathen, times.  The problem is we can never know exactly how much of it has been innovated or imported in the Christian era.  Therefore folklore evidence must be considered as being secondary to the more archaic material.  It can be used to fill in gaps in our knowledge, but on the evidence of folklore alone no reliable objective system can be created, nor can folklore evidence be used to overthrow the evidence from more archaic sources.

Finally actual secondary, scholarly, literature about the traditions must be considered.  The huge body of scholarly work that has been done on the ancient Germanic religion, for example, is too rich and thought-provoking to ignore.  The present-day heathen should approach this literature as a record of contemporary men and women trying to make some rational sense out of the primary evidence according to certain intellectual rules by which their science is supposed to be governed.  “Inspiration,” so important to the practicing heathen, is of much less importance to the scholar.  But often inspiration can be drawn from their sometimes limited conclusions.  When making use of secondary scholarly literature you should try to find the most recent works possible.  If the scientific aspect is being developed as it should be, the older literature will be accounted for in newer, and the older will been superseded by the more comprehensive findings of the newer as well.  The only caveat here is when some ideological fashion (e.g., “political correctness,” “feminism,” etc.) comes to dominate scholarship in certain sectors.  Learn to recognize and avoid such intellectual fashions.  In general secondary material can be divided into two classes:  one which treats a given tradition from within itself and another which tries to compare one system to another thereby illuminating further the more obscure of the two.  Of course, this latter method must account for the ways in which one system or tradition might be connected to the other.  It is in this area that the work of Georges Dumézil is so important. 

Now that we have reviewed the types of sources to which we will attempt to gain access, the problem arises as to what exact questions will we attempt to answer with this data.  The essentials of understanding any person individually, or any group of people collectively, lie in knowledge of their view of the world, of themselves, of any gods or goddesses they might have, and in understanding the practices they use to act and interact within these various contexts, e.g., what rituals, spiritual technologies they use.

In technical terms we must discover the traditional cosmology used by the folk-group in question.  That is, what is their view of the order of the world.  Also essential to this is the origin of the world, their cosmogony.  Once you understand how people view the world, you have gone a long way toward understanding the very soul of the people. 

The soul must also come under direct examination.  Here we must try to reconstruct the traditional psychology of the group.  The investigator should try to determine what the folk-group thinks a human being is in essence and how the individual relates to the whole (society and world).  This in turn opens the door to the sociology of the traditional group under investigation.

Usually a special category is enjoyed by the gods and goddesses of a people.  The divinities are special exemplary models for human behavior and spirituality.  By knowing the pattern inherent in the god-forms as well as understanding how the various god-forms relate to each other inside the system we will have a deep-level map of the ideas of the people in question. 

Also essential to the whole process is an understanding of the “spiritual technologies” used by a people to communicate with their gods, to interact with them and/or with the world directly.  Peoples usually have rituals and customs to affect this part of life.  Such customs and behaviors are usually at the center of revivalist efforts.  The problem is often that the rituals are lost or only survive in sketchy outlines.  At this stage we are primarily concerned with finding out what these outlines are.  The only way to restore the soul to these outlines, and to flesh them out again in a robust fashion, is to discover the soul of the people through the understanding of the cosmology, psychology, sociology and theology – and then enacting the ritual elements regularly and physically.  When modern heathens make the same sounds, gestures or motions that their ancestors did in worshipping the gods or carrying out some other spiritual or magical practice, their actions physically and actually resonate with those of the past.  The more this is done, the stronger the resonance becomes.  This is why in the True movement, or in Ásatrú, it is so often emphasized that actually troth is a matter of doing, not believing.  From action comes faith in the results of action.

Two other important ways to recover the soul of the ancestors, and ways theoretically very much akin to the rediscovery of their spiritual practices, is the learning of the archaic languages they spoke, e.g., Old Norse (Icelandic), Old English, and/or learning their methods of crafting things in the physical universe, e.g., metal-working, weaving, wood-working.  At first these seem to be merely technical undertakings, but as time goes on the soul of the activity will manifest itself as the acts of today begin to resonate with the actions of the past and a sort of inter-epochal harmony begins to arise in the soul of the modern heathen. 

Process II

Subjective Synthesis

Once suitable progress has been made in all phases of the first process, all the data collected in that learning process is to be constantly and thoroughly submitted to a threefold model of subjective or internal inquiry.  Each piece of data is to be considered as it relates to the individual self of the subject (you), how it relates to the tradition (as you have come to understand it), and how it relates to the environment (social and natural).  The question of tradition handles the problem through time (diachronically), while the question of the environment handles it as it relates to the here-and-now (synchronically).  This process is actually a description of how the individual soul makes sense of the tradition.

As an example of this, let us take the traditional fact that the cosmos is made up of “nine worlds.”  How does this relate to my individual self?  How does this relate to tradition?  How does this relate to the world around me?  Now let it be said that what exact answers you come up with are perhaps less important in the beginning than the fact that you have posed the questions to yourself and set the wheels of inquiry into motion.  In time the questions will be answered – not because you read them in a book by Edred Thorsson or Georges Dumézil – but because you have come to know the answers yourself.  You will have experienced the answers.  Often the best efforts at objective and subjective inquiry come to an impasse.  Knotty problems sometimes remain.  At times, but especially when such thorny problems arise, a threefold tool of inquiry can be brought to bear.  Ask these three questions: 

1)      Is it factual? (i.e., fits the findings in Process I)

2)      Is it aesthetic? (i.e., pleasing to the sensibilities)

3)      Is it useful? (i.e., fills a basic contemporary need)

Again, let’s take a concrete example to illustrate how this is supposed to work.  Let’s say Uncle Einar, who resentful of his Christian upbringing, objects to having a “Yule-Tree” in the hall during Yuletide because he thinks it is a “Christian thing.”  You want to do the right thing, so you apply the threefold question to it:  Is it factual that the tree is pagan?  Yes, that can be proven from many sources.  Many Christian denominations realize this and therefore try to discourage their followers from having “Christmas trees.”  “But just because heathens did it doesn’t mean we have to do it, right?” persists Uncle Einar.  This is true, O avuncular one.  But the fact that the whole culture finds the tree an important and meaningful part of the Yuletide festivities (despite the attempts of the early Christians to suppress it) shows that it is generally pleasing to the sensibilities of most folks.  Because of its popularity its usefulness as a symbol and as a religious practice is assured.  It helps us focus on the immortality of the folk so long as its identifiable organic existence continues.  Gifts given to the children, and to the ancestors, focus our attention both on the roots and to the leaves of the tree.  This also points the way to the preferability of using living Yule-Trees.  The roots were cut off when the crypto-heathens had to remove their Yule-Trees indoors to worship in secret ways that had formerly expressed in public and in the woods.  Let us restore the roots to the Yule-Tree! 

So the problem of the Yule-Tree seems to be a personal one for Uncle Einar.  He is, of course, free to dispense with it in his own home, but it can certainly be proven to meet all three criteria for continuance, maintenance and redevelopment as a true custom.

 Process III
Enactment

Once a set of practices, beliefs, and so on, have been established through the application of Process II, it increasingly becomes the responsibility of the individual to prove the results of the second process through enactment, through actually and physically acting out the practices.  This first comes on a personal level.  Only through enactment in the physical world can the final judgment be made on the viability of the system you have arrived at.  Things that looked good on paper, or sounded good in your head, may be unworkable in actual practice.  This can only be shown through practice.  On one level this is the end of the whole process, but on another level it is just the beginning.

This process of enactment itself comes in two main phases.  The first involves individual enactment.  Begin to enact the subjectively synthesized patterns on an individual basis – both internally and externally.  Internal “action” is just as important as external action.  Internal action is tantamount to faith or belief – a firm conviction of the truth of something.  A thought profoundly held and conceived is a powerful deed.  Most forceful and sustainable external action is motivated by the emotional engine of the soul, which is perceived as faith or belief.  The Norse term for this is trú.  This moves the subject to act.  The external actions may range from undertaking traditional handicrafts with spiritual intent, to the enactment of the religious rites rooted in ancient Germanic patterns, to the carving of runes.  Again the important thing is to act, and to act in full awareness of the meaning of one’s actions.  The resonance built up between one’s actions and the original paradigms upon which these actions are based is rooted on the trueness, or accuracy, of their forms. 

Using these methods you can create your own personal religion, of course.  But heathendom is in essence a folk religion, it involves a community of people.  Individual development is important and essential, but if it is isolated and detached from others, it will not have permanence, and hence will not be as holy as it might have been.  Therefore, the next arena of enactment is on the group level.  Unless you can make what you arrived at up until now valid for a group of people, all you have done is create a highly personalized system.  It is for this reason that organizations are necessary in the applications of these methods.  Once the system becomes successful for a whole group of people it can be said to have gained, or regained, a transpersonal validity.  This is the end-goal of all reawakened heathen systems.  When group-level validity is achieved and maintained it becomes clear that the system is not the clever invention of a single individual, but rather the resonant and true reawakening of something that had been slumbering in the souls of all it touches.  It can be said to ring true.

March 18, 2008

Weltschmerz: Schellingian Reflections of C.D. Frederick’s The Wanderer Above the Sea of Mists (1818)

Filed under: Articles — 10:06 pm

Weltschmerz: Schellingian Reflections of C.D. Frederick’s The Wanderer Above the Sea of Mists (1818)[1].

by P.A.Q.


 

Solitude in reflection upon an absolute landscape; the traveller encounters nature so as to encounter himself, for in the loneliness of his vantage point there are but two objects, the finitude of embodied existence and the infinite expanse of nature. We understand the figure to be a traveller, a wanderer who has made his way from the streets and towns somewhere below, his origin is the busy world of everyday life but he has risen up, up through the landscape, he has pierced through the veiling mists and now surveys the world. His travels have purified his horizons, they have removed the clutter of a life that is absorbed in the mundane but necessary tasks which sustain his finitude and brought him to a point where he might survey and reflect upon the site of that existence. Embodied finitude and sublime infinity reflect into one another and in that reflection the two extremes are subsumed, their interplay ceases to be that of two opposed forces and becomes a total vista.

Much is obscured from our view. The traveller is only partially revealed to us, we see him only from behind, no hint of his expression, his pose the only indication of his mood. The art historian assures us that the figure before us is the artist himself projected into the landscape[2]. Of course this may be so, yet all we see is the figure of a man absorbed in a meditative encounter with nature. We could project an image of the figure, we could posit an identity, yet this would go beyond what is present to us, it would go beyond what our perspective allows. We accept the finitude of our perspective but we allow our thoughts to explore the possibilities.

The landscape itself is only partly revealed; the wanderer’s journey has indeed provided a broader horizon then he could have found below but total clarity has not been achieved. The rocks and peaks jutting through the sea of mist at first appear as isolated and independent moments, a series of natural objects, the mist concealing the underlying unity. From our perceptive this fundamental unity cannot be known, for we cannot see what lies behind the fog, we could project from what we see towards that unity and indeed we know it even though we cant see it. But with what right do we do so, what is before us seems to be a fragmentary landscape, obscured by mist and so once more we have to accept that truth lies in excess of our perspective.

From his transcendent vantagepoint the traveller has a view whereby he can infer, yet not hold, the ultimate unity of the landscape he surveys, if he moved back down from the hights the immediacy of the things of the world would suddenly crowed around him, he would become embedded in the world, unconsciously embedded in the nature he now encounters, consumed in the infinite. Natures immediacy would prevent him from viewing it, it would prevent his reflection upon it, it is only in moving out of the realm of the everyday world that he can reach a point where he can adequately reflect upon nature. His journey has not only been a movement through space and time but also a movement in thought and perspective. So the nature he encounters is the same nature as he encounters in his everyday life, only his mode of reflection has changed.

He is still embedded in nature he is still part of what he surveys, but now nature opens up to him in an auratic sense, it returns his gaze and engages him in such a way as to… His vista is Revelation, it offers a pantheistic insight into ultimate truth, for from this rich precipice he can gaze into the infinite and see the truth of his being - wave after wave of cloud, rolling hills and swirling mists, steady earth, defiant rock and open sky an interplay of being and becoming a sea of constant change stabilised by a unity he knows but cannot see. He can look into nature and see himself, his highs and lows, his fluxing moods, the movement of his life juxtaposed against the unity of his being, a unity he knows but cannot hold. The excess which he detects in nature, that indeterminable and auratic presence evidences the truth of his finitude and also affirms his unity with the infinite; evidences the paradox of his being.

We no longer need to worry about the identity of the traveller for the traveller has become identical with his object. Now the cosmic pain[3] that is expressed by the landscape reflects to us the mood of its interlocutor just as the rich green of his costume reflects the verdural richness of the valleys which the mists conceal. The landscape is no longer fragmentary but a unified vision, an interplay of land and mist, being and becoming. The human subject coming to know itself through reflections on nature.

2. With reference to Schelling

The image is indeed a pantheist vision, it is a vision of the unity of human being and natural being, it shows the human subject, a pinnacle of natural complexity surveying nature. It is an encounter with the self; the subjects encounter with nature is an encounter with itself, it is an aspect of an infinite and self-developing substance looking back on itself, looking back at the nature from which it has emerged. As a finite aspect of an infinite nature there will always be an excess in this encounter. Knowledged can never know itself completely there is always mist, there is always limit. Religious thinkers thought that the intellectual revolutions of their day threatened to separate human existence from ultimate realities - yet this could only be the case for those whose deity is projected out beyond the frame of nature into some transcendent realm beyond space and time. Yet if nature is itself the ultimate reality then human being is always and primarily embedded within ultimate reality.

In the System of Transcendental Idealism Schelling claimed that art is the only way of communicating philosophy’s highest[4] a clear display of his pessimism about the capacity to discursively articulate ultimate insights about the nature of reality. Ultimately Schelling is seeking some relation to ultimate realities, even from his earliest essay’s at Tübingen this seems to be his goal yet he also carries a pessimistic despair at ever being able to articulate his intuitions about that reality. An early essay on Plato’s Timeaus bares the following quote from Plato as a refrain “It is difficult to find the author and father of the universe, and impossible, after one has found him to proclaim him to all”[5]. Art thus becomes the vehicle whereby these ultimate realities can be brought to presence, yet Schelling does seem to have moved away from metaphysics, it is not the a transcendent god or any supernatural reality that his philosophy seeks rather nature itself which becomes that ultimate reality. In bringing forth the notion of a self-developing realm of nature, an immanent naturalist teleology he reintroduces a notion of ’spiritualised’ nature. Human life becomes part of a natural movement and the hope that we might share a common purpose with nature once again becomes a possibility. For as part of the natural realm our encounter with nature is an encounter with ourselves.


[1] My completely amateur excursion into the realm of Romantic Art is supported by a philosophical understanding of the work of Schelling rather than a thorough understanding of art history and theory. Given, however, that Frederick and Schelling where not only almost exact contemporaries but actually met in Dresden I feel that my Schellingian reflections on this piece are not entirely unusal.
[2] Craske, Mathew. Art In Europe 1700-1830: A History of the Visual Arts in an Era of Unprecedented Urban Economic Growth. Oxford University Press. Oxford. (1997). p 67-8
[3] Toman, Rolf. Neoclassicism and Romanticism: Architecture, Sculpture, Painting and Drawings 1750-1848. Könemann. Cologne. 2000. p 441.
[4] Op cit. Schelling (1800). p 14.
[5] Op cit. Baum. P 201

Myth, Poetry and Norse Religion

Filed under: Articles — 9:54 pm

Myth, Poetry and Norse Religion

by P.A.Q.


Myth is a means of apprehending and communicating value in the world in an internally consistent way, using narrative as a vehicle[1]. Myth and myth making are emotional and creative interactions which, in a sense, might seem non rational. Rational discourse on myth seeks to de-mythologise, to ‘explain’ the non-rational, a process which severs myth from its emotional basis[2]. Myths should first and foremost be read and enjoyed. In each reading, as in each telling, the myth is transformed by its interaction with the individual, an individual who is caught in and cannot be divorced from matters contemporaneous. This essay will firstly analyse some important mythological theory, with a view to establishing the limitation of such theory, before the focus is narrowed to analyse the nature of Norse mythical poetry. Icelandic literature, especially poetry, has been seen as a literary phenomenon, a cultural pinnacle, standing in sharp contrast to the image of the ‘bloodthirsty’ viking raider. However, the two are not mutually exclusive. Egil Skala-Grimsson, the famous Norse poet, led an illustrious viking life, raiding and killing his way from Norway to England. Poetry was very important to the Scandinavian religion, whose sovereign god was the god of poetic inspiration. The many myths which deal with the origins of poetry also attest to this importance. This essay will conclude by an examination of the nature and relation of Odinn, poetry and Norse religion.

Myth and theory.
Late nineteen century theories of myth, such as those presented by J.G.Frazer[3], rely on a connection between myth and ritual, where mythology represents the theoretical component of the more practical ritual. In terms of the relationship between myth and ritual in an ancient context, it is recognised that the limited evidence would render such relationships speculative. It is also important to consider that this theory does not fit with many contemporary ethnographic accounts of myth and ritual[4]. From these accounts it can be seen that mythology, although associated with some aspects of ritual, is not necessarily the basis of all ritual. Ritual, like myth, is dynamic and communicative, ritual can use myth as the basis for symbolism but this is not necessarily always the case. Despite its frequent association with ritual, myth must be regarded as essentially a self contained cognitive system, one which is internally consistent, a logical paradigm, rational yet metaphoric[5].

Many believe that myth is closely associated with establishing social mores. This functionalist view is however limited and fails to recognise that myth also articulates modes of behaviour beyond that which is socially acceptable, and in some cases seems to promote them[6]. In this, any effective study of myth must consider the mythic relationship to society, but despite this important social element it must also be recognised that myth has important communicative and intellectual elements for the individual. Myth is both socially and intellectually engaged[7] and so one must not only consider the material and social world expressed by myth but also the intellectual world. Other students of myth show an historicist approach to myth, attempting to recover an ‘original’ version of myth and reclaim it as some primal verity. Myth however is not a monolithic entity, it exists in various forms at various times and shows regional variation, depending on the needs of the community[8]. Every variant narrative, every fragmentary detail is valuable, there is no original or correct version of any myth.

Norse Literature.
Close to the year 1220 an Icelandic scholar, Snorri Sturluson, produced his famous work entitled Edda. This work of prose was to provide a guide for the writing of traditional poetry, an art which Snorri felt was in decline. Snorri’s material was structured using the vehicle of Scandinavian myth, and in this work many myths are either told or alluded to. Although Christian, many believe that Snorri did in fact preserve many of the values of old Norse society especially since Iceland had only adopted Christianity in 1000 C.E[9]. Snorri was a native of Iceland, he had travelled the Scandinavian lands widely, and may have been exposed to some pagan practices which survived in Sweden until the end of the Twelfth century. Despite this there is undoubtable evidence of strong Christian theoretical premises to his work, the prologue which euhemerises the gods and claims that the religion of the north is a natural religion which developed after the great flood[10].

Snorri’s Edda remained one of the main sources of information on the old Scandinavian religion, until in 1642 a Bishop Brynjolfur Sveinsson obtained a codex of poetics, believed to have been compiled by Saemundr Sigfusson ‘the Wise’ (1056-1133). The codex found by Bishop Brynjolfur was presented to King Frederick the III of Denmark and since has become known as the Codex Regius[11]. Among the few mythological lays in the Codex Regius are Havamal and Voluspa[12], which were the first of the collection to reach print in 1665. The codex, dated c.1270, is believed to have been copied from one or more older texts, the oldest literary recordings being those cited in Snorri’s Edda (c.1220)[13].

Essentially there are two poetic forms which emerge from the Nordic culture, Eddic poetry (mostly contained in the Codex Regius) is rhythmic and alliterative and resembles much Old English poetry, and is either mythical or related to heroic legend. The mythic poetry of the Edda are of two main kinds: narratives, usually illustrative or pedagogic in nature, and didactic poems[14]. Many poems such as Havamal reflect both elements. The codex is important to the study of Norse heathenism as it contains several purely mythical lays and also heroic lays with mythical allusions to the gods and other inhabitants of the Norse mythic world. It has been said that it is impossible to understand Norse religion, literature or history without some knowledge of this type of poetry[15]. A later poetic development was that of skaldic poetry, an art highly patronised by nobility, usually dealing with the events of contemporary history, and unlike Eddic poetry, usually attributed to a specific poet. This form of poetry is marked firstly by its formalism, every syllable is counted and also by the use of periphrases (kennings) which developed the use of metaphor beyond that of the earlier Eddic poetry[16]. Kennings are given to many aspects of the Norse world, from the gods to the sea, from poetry to ships. Among the most numerous kennings are names for Odinn (eg. HangaTyr- Tyr of the hanged, or hrafenass-raven deity[17].) also plentiful are kennings for poetry such as Kvasir’s blood[18]. The Skaldic poets honed their use of language against an ever evolving interpretation of the myths, they explored the meaning of their myths. Skaldic poetry opened up a vast hermeneutical well for Norse poetry and myth and brought with it some of the most artistic use of language during the middle ages[19]. There is also literature which would seem to be transitional between these two poetic forms such as Eiriksmal a skaldic poem written in Eddic form[20]. Then there are the poems of the legendary Egill Skalla-Grimsson, which are skaldic yet contain much mythical material usually contained in Eddic poetry[21].

The fact that poetry is so important to Norse mythic literature is evidenced in the narratives of Odinn’s winning of the mead of poetic inspiration. Odinn is the first to bring the art of Poetry to Asgard, the home of the gods. This narrative is also given in prose form in Snorri’s Edda, however the most important poetic references to this narrative are contained in the Eddic poem Havamal. The theft is alluded to in three variant forms in Havamal which would indicate that this narrative existed in different forms[22]. Snorri could not have obtained the detailed version in his Edda[23] (p. 61-64) purely from Havamal, which is not a detailed account, but merely a series of allusions to the winning of the mead. Possibly Snorri had more then one source for his version and one not contained in Havamal. The myths of Odinn winning the mead of poetry are reflected in other Indo-European myths which relate to the gaining of wisdom, particularly the story of the salmon of wisdom, also Indra and his drink soma. Other poems in the Edda also reflect this story particularly Fafnismal (31-32) which tells how Sigurd gained wisdom from drinking the blood of a dragon’s heart and also echoes the story of Finn and the salmon of wisdom[24].

Poetry and Germanic Religion.
Evidence for an ancient Germanic religion is primarily based on external commentaries such as those of Caesar [25] and Tacitus[26]. These are valuable sources, though not entirely reliable, since they reflect the agendas of their authors. The earliest source material in the vernacular is from medieval Iceland, an historical and geographic context distinct from that of “The Gallic Wars” or “Germania”. Yet within the corpus of Eddic poetry there exists evidence that such poetry does hark back to very ancient sources, albeit much distorted by transmission. The earliest datable event in Norse literature is the death of Ermanaric the Goth (375 C.E.), some eight hundred years before the poems reached a written form[27]. This would indicate that the stories contained in the Edda do represent the continuation of an oral tradition which would seem to be at least eight hundred years old. If one considers that many of the tales of the Edda reflect broad elements of stories which appear to have been common to the Indo-European peoples[28], then one is faced with the possibility that this oral tradition is older still. The Edda’s and Saga’s only allude to or recall aspects of myth and ritual, making interpretation difficult. Ultimately this religion cannot be reconstructed in any real sense, the gulf of time is too great, the evidence too “ill-assorted” [29] and it is impossible to have full empathy for a people so removed from our own lives. We can only hope to tease out motifs and themes which were important to these people and through reading their literature attempt to share in their perceptions.

The presence of Odinn dominates Icelandic mythic poetry and prose, yet there is little cultic or place name evidence in Iceland which would relate to Odinn or an Odinnic cult[30]. Why should a God who has had such a great impact on Icelandic literature leave so slight a mark on its landscape? This might be due to the fact that Odinn is the god of the most literate section of the Icelandic community, the God of poets, and hence celebrated by them. It is possible that the myths do not in fact accurately represent the nature of religious practice in Norse lands. It is possible that we only have access to a privileged, literate, male discourse. The preservation of poetics dedicated to Odinn is not surprising when one considers his role as God of poetic inspiration, and his role in the winning of the mead of poetry. There are many scaldic kennings for poetry which refer to the narrative of the theft, Odinn himself is said to speak only in poetry[31].

That the poets’ love for this God is probably related to him being patron of poetic inspiration is corroborated by the first stanza of Egil Skala-Grimsson’s poem Sonnatorrek (lament for my sons).

“My mouth strains- To move my tongue,
To weigh and wing- The choice word:
Not easy to breathe- Odinn’s Inspiration
In my hearts hinterland,- little hope there.”[32].


This poem was written by Egill who, after the death of his sons, is angry with Odinn and blames him for the death. At first he finds it almost impossible to compose the poem but as he does, Odinns inspiration wells up inside him, he composes the poem and overcomes his grief[33]. The position of the poet in relation to the narratives in Havamal is also interesting and reflects later developments in prose works which feature the poet as protagonist. The best example of this is Egil’s saga in which the story is developed through an interplay of verse and prose. Here verse adds emotional depth to an otherwise action based narrative. The verse highlights the personal intellectual life of the protagonist and thus intensifies the prose narrative by demonstrating how the poet is emotionally interacting with the events of the narrative. This is a unique development in the northern literary tradition[34]. However, the poets were set a divine precedent in their God Odinn, a God who plays the role of chief protagonist in Snorri’s Edda, a god who speaks only in poetry.[35]


* * *

Evidence concerning religion and religious practice in Viking age Scandinavia is uncertain, but it does appear that poetry played an important role. However, Literary evidence which points to the importance of poetry in that religion might be misleading. To claim that the Edda’s are representative of wider Norse religion is like claiming that Hesiod’s Cosmogony is indicative of the religious attitudes of Greek society. Literary ‘evidence’ for Norse myth, much like mythological theory, is essentially the product of a literate male elite. What we have contained in the Edda’s is not a mythology which represents ‘Icelandic religion’ or myth, it is merely representative of the way Norse poets perceived myth and especially their own god, Odinn.

Bibliography.

Caesar. The Gallic Wars.(C. Hammond. Trans.) Oxford University Press. Oxford. (1996).

Clunies-Ross, M. Skaldskaparmal: Snorri Sturluson’s ars poetica and medieval theories of language. Odense University Press. Odense. (1987).

Clunies-Ross, M. Prolonged Echoes: Old Norse Myths in Medieval Northern Society. Odense University Press. Canberra. (1994).

Dronke, U. Myth and Fiction in early Norse Lands. Variorum. Vermont. (1996).

Frazer, James G.. The Golden Bough: A study in Magic and Religion. (abriged edition). Papermac. London. 1995.

Greenway, J.L. The Golden Horns: Mythic Imagination and the Nordic past. The University of Georgia Press. Athens. 1977

Hollander, Lee. M. (ed. and trans.) The Poetic Edda. (Second Edition) The University of Texas Press, Austin. 1996.

Kristjansson, J. Foote, P (ed). Eddas and Sagas: Iceland’s Medieval literature. Hid islenska bokmenntafelag. Reykjavik. (1988).

Lincoln, Bruce. Myth Cosmos and Society: Indo-European Themes of Creation and Destruction. Harvard University Press. London (1986).

Meulengracht-Sorensen, P. The Unmanly man. Odense University Press. Canberra. (1992)

Palsson, H. Edwards, P. (eds.) Egil’s Saga. Penguin Books. Ringwood Victoria. (1976.).

Sturluson, S. Heimskringla: History of the Kings of Norway. (Hollander L. trans.) University of Texas Press, Austin. (1991).

Tacitus. The Agricola and The Germania. (H. Mattingly & S.A. Handford. Trans). Penguin Books (1970).

Talley, J.E. Runes mandrake and the Gallows. University of California. Los Angles. Germanic Religion. Course Book. Sydney University. (1997)

Turville-Petre, E.O.G. Myth and religion in the North: The Religion of Ancient Scandinavia. University of Oxford Press. London. (1964).

Turville-Petre, E.O.G. The Cult of Odinn in Iceland. Nine Norse Studies. Course Book. Germanic Religion. Sydney University. (1997).

Turville-Petre, E.O.G. Origins of Icelandic Literature. The Clarendon Press. Oxford. (1953).


[1] John L, Greenway. The Golden Horns: Mythic Imagination and the Nordic past. The University of Georgia Press. Athens. 1977. p. 2-6.
[2] Ibid.
[3] James George Frazer. The Golden Bough: A study in Magic and Religion. (abriged edition). Papermac. London. 1995.
[4] Margaret Clunies-Ross. Prolonged Echoes: Old Norse Myths and medieval Northern society. Odense University Press. Odense. (1994). p. 11-12.
[5] Ibid. p. 13-17.
[6] Odinn, the most prominent Norse god, is often portrayed in a very negative light, often associated with oath breaking and theft he is also associated with individualism and personal quest for knowledge, none of which would be seen as conducive to social harmony.
[7] Op cit. Margaret Clunies Ross. (1994). p 15.
[8] Brit- Mari Nasstrom. Freyja- the Great Goddess of the North. University of Lund. Sweden. (1995). p 30-31.
[9] Jonas Kristjansson,. Foote, P (ed). Eddas and Sagas: Iceland’s Medieval literature. Hid islenska bokmenntafelag. Reykjavik. (1988). p. 20-5.
[10] Margaret Clunies-Ross. Skaldskaparmal: Snorri Sturluson’s ars poetica and medieval theories of language. Odense University Press. Odense. (1987). p. 14-15.
[11] Op cit. Jonas Kristjansson. (1988). p. 20-5.
[12] Hollander, Lee. M. (ed. and trans.) The Poetic Edda. (Second Edition) The University of Texas Press, Austin. 1996.
[13] E.O.G. Turvile Petre. Myth and religion of the North.p 8-9.
[14] Ibid.
[15] E.O.G. Turville-Petre. Origins of Icelandic Literature. The Clarendon Press. Oxford. (1953). p16.
[16] Turville-Petre, E.O.G. Myth and religion in the North: The Religion of Ancient Scandinavia. University of Oxford Press. London. (1964). p. 14-15.
[17] Op cit Margaret Clunies-Ross. (1987). p. 100-101.
[18] Snorri Sturluson. (A Falks. trans) Edda. Everyman. London. (1995). p. 70-72.
[19] Op cit. E.O.G. Turvile Petre. (1964). p15.
[20] Ibid.
[21] H. Palsson. P. Edwards. (eds.) Egil’s Saga. Penguin Books. Ringwood Victoria. (1976.).
[22] Op cit. E.O.G. Turvile Petre. (1964). p. 35-7.
[23] Op cit. Snorri Sturluson. (1995).
[24] Ibid. p. 40-1.
[25] Caesar. The Gallic Wars.(C. Hammond. Trans.) Oxford University Press. Oxford. (1996).
[26] Tacitus. The Agricola and The Germania. (H. Mattingly & S.A. Handford. Trans). Penguin Books (1970).
[27] Op cit. E.O.G. Turville Petre. (1964). p. 196.
[28] Particularly the story of creation as alluded to in Voluspa and as told by Snorri in Gylfaginning, for a more detailed examination see. Bruce Lincoln. Myth Cosmos and Society: Indo-European Themes of Creation and Destruction. Harvard University Press. London (1986).

[29] Mircea Eliade. Patterns in Comparative Religion. University of Nebraska Press. Lincoln. (1996). p. 5.
[30] E.O.G. Turvile-Petre. The Cult of Odinn in Iceland. Nine Norse Studies. Course Book. Germanic Religion. Sydney University. (1997).
[31] Sturluson, S. Heimskringla: History of the Kings of Norway. (Hollander L. trans.) University of Texas Press, Austin. (1991).

[32] Op cit. H. Palsson. P. Edwards. (1976). p. 204.
[33] Dronke, U. Myth and Fiction in early Norse Lands. Variorum. Vermont. (1996).
[34] Ibid p25
[35] Ibid.

Odhinn and Tyr – Two modes of Sovereignty

Filed under: Articles — 9:52 pm

Odhinn and Tyr – Two modes of Sovereignty

by P.A.Q.

War and peace, the two concepts seem worlds apart, in fact they are often thought of as exact opposites, they seem to be two extremes that are irreconcilable with each other. Yet they are two intimately linked social potentialities. Crisis and stability, again we are presented with two opposed concepts, concepts that seem antithetical - but once again these are two potentialities that often confront societies. This latter pair of concepts has some resonance with the former pair, crisis seems to resonate with the concept of war, war represents a social modality through which a society seeks to overcome a crisis. Such an overcoming brings that society towards stability and peace. Yet times of war and crisis are very different to times of peace and stability, and so in facing times of crisis societies are forced into patterns of behavior that are very different from those that they display in times of peace. The social mode is, by necessity, altered by the conditions that the society has to face and hence the form of leadership that is required will also have to adapt to the conditions that the society has to face. A society that is inflexible in the face of changed conditions is not likely to be a long lived one - society must have the capacity to move between different modalities.

Think now of two more abstract concepts - magic and law, there seems again to be some tension between these two concepts even though the tension is not quite as distinct as in our first two examples. Yet for our ancestors these two concepts also resonate with the notions of war and peace, crisis and stability, albeit in quite an abstract way. These two notions, magic and law, are linked to two modes of leadership or sovereignty, they serve as abstract yet pragmatic modes or principles of action for a society which is realistic about the potentiality for war as well as the possibility of peace. Such a claim is difficult for many moderns to accept, we are often unable to see beyond our legalistic notion of sovereignty and so we fail to understand, worst still we fail to accept the possibility, of a form of sovereignty which some commentators refer to as magical. One of the main aims of this essay is to highlight the sophistication of our ancestral notions of sovereignty through demonstrating that these two social modes were not only social realities but also mythical and sacral realities. In so doing I hope to be able to open up new ways of considering the nature of two of the most well known deities in the Teutonic world - Odhinn and Tyr.

In order to achieve this I have broken the article into two sections. The first section aims to provide a broad background for the ideas presented in part two. It covers a consideration of the types of evidence for Teutonic religion and the limitations of that evidence. It also considers the Indo-European background to studies in Teutonic myth and religion - this is important as much of the argument presented in part two is based on Indo-European studies. This will involve a very brief consideration of two key players in the field of Indo-European studies, the infamous Georges Dumezil and a more contemporary scholar - Bruce Lincoln. Both of these theorists have argued that Indo-European society is marked by a dualistic, or bi-functional notion of sovereignty. With this background information laid Part Two takes up the issue of bi-functional sovereignty in regard to the Gods and myths of the Teutonic people. Part two will demonstrate that this bi-functional model is applicable to the Teutonic people; it will demonstrate that this bi-functionality in sovereignty is connected to two forms of command - direct verbal command and indirect magical command; it will demonstrate that this bi-functionality of sovereignty is also linked to a bi-functionality in the notion of the holy - that there are two modes of holiness in Teutonic religion; further it will show that this bi-functionality of sovereignty is reflected in the pantheon of the Teutonic people through the gods Odhinn and Tyr. The article will end by considering the exact relationship that these gods have to the two notions of sovereignty that this article proposes.

Part One:
Teutonic and Indo-European society - evidence and models.

Evidence For Teutonic Religion

A good deal of the evidence for Teutonic religion is drawn from external commentaries, these are two fold: Firstly those written by non-Christian contemporaries such as those of Gaius Julius Caesar (C.100 - 44 BCE) and Cornelius Tacitus (C.56 - C.120 BCE); Secondly those written at a later date based on the reportage of Christian missionaries such as Anskar (801-865 BCE). These are undoubtedly quite valuable sources, yet it must be emphasised that they are not entirely reliable as they tend to reflect the agendas of their authors. In the first case Caesar is a Roman General eager to win tribute and hence there is a tendency for self aggrandizement in his work - this in turn leads Caesar to focus on the militaristic nature of the Teutonic tribes and to emphasise their ferocity. Tacitus is a writer who seems to have a critical agenda and tends to portray the Germans as ‘Noble Savages’ and almost models of virtue in contrast to what he sees as the decadence of his own people - hence his work carries its own particular bias. In the case of Christian missions to the North there are a number of factors which must be considered as possibly skewing reportage, most importantly the need to portray Christianity as the superior faith by highlighting the barbarism of the Heathen, the savagery of their religion and the impotence of their gods (a pattern that missionaries continued well into the modern period). So while these external accounts of Teutonic religious practice are important one must approach them with caution, we must approach them critically, holding off from the immediate acceptance of these reports and trying to understand the motivations of the particular authors.

Due to the difficulties presented by these external sources one feels the pressure to turn to internal sources, archaeological artifacts and particularly texts written by Teutonic folk in their vernacular language. It is these sources which are felt to provide the most intimate contact with the life world of our Teutonic ancestors and so these become an important tool for accessing our old ways. This is not, however, a path that is completely problem free and these internal sources present problems of their own. Most important is the fact that our textual record is not complete, there are gaps in our knowledge that will prove difficult to fill from internal textual sources alone. Where source material in the vernacular exists it is primarily from medieval Scandinavia and more specifically from Iceland, a historical and geographic context distinct from that of Caesar’s “The Gallic Wars” [1] or Tacitus’ “Germania”[2]. This geographical and temporal distance makes it difficult to directly confirm or deny any of the details provided by our early external sources. Nonetheless if one proceeds cautiously some fruitful comparisons between these texts can be made, these two sources of information can inform each other to provide better access to the traditions of our ancestors.

The Icelandic vernacular literature is essentially comprised of two sorts: The Eddas, which are poetic accounts of Northern myth and legend and the Sagas which are prose accounts of life in the Scandinavian society of the Viking age. To these two main categories can be added the writings of Snorri Sturluson, prose writings which form important sources for both Myth and History. The Eddas and Sagas provide us with a reasonably good route of access to the mythology, folklore and customs of our ancestors but only allude to aspects of ritual. The scarcity of evidence for the ritual practice of our ancestors has made the reconstruction of our ancestral ways extremely difficult. It must, however, be recognised that, at present, this religion cannot be reconstructed with perfect precision, the gulf of time is too great, the evidence too ill-assorted - reconstruction must proceed carefully through close study of evidence and careful analysis of language. Yet non-specialists can hope to benefit from the work of scholars and tease out motifs and themes which were important to our ancestors, most importantly the non-specialist can, through reading our ancestral literature, attempt to share in the perceptions of their long dead kin. Ultimately this is just as important as accuracy in reconstruction - through coming to understand our ancestors and their values we reactivate the primordial understanding of the world which lies buried within us - we reactive the primordial wisdom of our folk. Our factual knowledge of their tradition grows constantly, this kindles the fires of reconstruction. But our inner understanding of those facts - an understanding based on the reactivation of our ancestral relation to the world - kindles an altogether different fire, it kindles the fires of wisdom. Indeed it is wisdom which is the source of all meaningful reconstruction. Our task as modern folk is not to merely act on knowledge and describe what ‘was’, but to take our knowledge of what ‘was’ and use it with wisdom to revitalise our culture in the present - our aim is to turn knowledge of what ‘was’ into wisdom in what ‘is’.

The Indo-European connection: Broadening the Context

Modern Ásatrúar acknowledge the fact that it is difficult for us to exactly determine the nature of our ancestral tradition directly from internal sources and for many this raises another problem, that of context. Is the field of study to be narrowed to exclude anything beyond that which is specifically Teutonic or does one look to Indo-European cultures for correspondences which might illuminate the evidence available through purely Teutonic material? The first approach, due to limited evidence and the delicate nature of the sources, might seem to leave one at a bit of a dead end in relation to many aspects of the tradition. The second approach risks abstraction into theoretical comparisons and speculations which are potentially far removed from the social reality of life in Teutonic society. Yet with the limitations of each of these approaches in mind one can seek to overcome these difficulties - one can use comparative Indo-European material as a means of accessing aspects of the Teutonic tradition which are opaque or concealed. More importantly one can use this material to fill out and deepen our understanding of those aspects of the tradition which are more familiar to us. This is an especially powerful tool for those who have a sound foundation in the specifically Teutonic tradition, those who have a sound understanding of the specifically Teutonic approach to the world. Such a person can take the disparate Indo-European material and interrogate it from the ‘perspective of the Teuton’ to try and discern how earlier Indo-European ideas apply within our own tradition.

The use of Indo-European comparative material as a means of coming to understand Teutonic religion is an approach which has been promoted by scholars such as Georges Dumezil and recently Bruce Lincoln. Their work is based on two premises, firstly that myth expresses social values that strengthen social coherence and secondly that linguistic unity represents a considerable ideological unity[3]. The first point emphasises the idea that the key avenue to understanding the life world of a people is through their mythology and legends. Myth and legend codify the most important values and beliefs of a people, they reflect the relation of that people to the world - physically, emotionally and intellectually. Understanding this relationship to the world is the key to understanding the folk, the society and the religion. Hence Myth is not mere religious discourse but is a vehicle for the aesthetic expression of culture and deep cultural values.

The second point emphasises the importance of language as a vehicle of culture and deep cultural values - language is the primary vehicle of culture and one will have a hard time understanding a culture without first having some understanding of that cultures language. The point that linguistic unity represents a considerable ideological unity is vital for our tradition - this notion implies that the linguistic unity of the Teutonic languages, of which modern English is a part, provides a broad ideological unity for those who share that language. The closer the languages the closer the ideological unity. Our own understanding of the Modern English language can be seen as a primary link to the ideology and values of our ancestors, this is also the case for all the other modern Teutonic languages such as; German, Danish, Swedish, Norwegian, Icelandic, Dutch and all the dialects of these languages.

Georges Dumezil: The Tripartite division of Indo-European Society

Georges Dumezil, one of the most famous Indo-Eurpoean scholars of our time, has proposed a controversial theory about the structure of Indo-European society which claims that that society was subject to a tripartite division which is broadly reflected in the notion that society is comprised of three estates; firstly the peasantry or sometimes slaves, secondly the warrior class and thirdly the sovereign, noble or ruling class. This is both a controversial theory and one that on first glance does not appear to be of great significance - as Dumezil’s tripartite functional division of society is evident in many societies and hence it does not seem to say much about the specific nature of Indo-European society. However, in Indo-European society this structure is intimately connected to religion and receives expression in myth, pantheon and ritual - hence the social structure of the Indo-European people is seen as a reflection of mythical structure of the cosmos, this is in line with the thesis that myth expresses and strengthens deep social values. This reinforces the notion that Dumezil’s theory is not purely sociological but a theory about broad cultural paradigms, paradigms which are thought to reflect something of the cognitive structures of the Indo-European people. A tripartite social structure which is reflected in a tripartite mythic and ritual structure reflects a tripartite mode of understanding the world. Hence Dumezil’s theory is a theory about the way the Indo-European mind structures its world.

In order to understand the relation between this tripartite division and Indo-European culture it is important to understand the way Dumezil characterises the social structure of the Indo-European world. The foremost layer of the social structure, the realm of sovereignty, is the most complex and is itself subject to its own internal division. Sovereignty is considered a bipartite system based on the opposition of two modalities of sovereignty - magical sovereignty based on rule by magical power (or might) and juridical sovereignty based on the rule of law. Both forms of sovereignty are seen as legitimate modes of rule in different contexts, different circumstances require different modalities of rule. The second layer of the social structure is the warrior function, this is a layer which represents physical force which can be directed outward towards hostile forces or at times inwards in policing actions. The third layer of the social structure is that of the rural peasantry, this is the function of fecundity and prosperity, this class can be associated with the class of slaves - although this class is very different to the slave class of the early modern era and is probably best thought of as an underclass.

This social structure is reflected to a significant degree in Indo-European mythology where the gods were marked by this three fold division - the mythical society reflects the nature of the society experienced in the life world of the Indo-European people. This can be seen in the Nordic context where Odinn and Tyr represent the dual aspects of magical and juridical sovereignty (see Table 5). The Gods Thorr and Heimdallr represent the warrior function and the Gods Freyr and Freyja represent the function of fecundity and fertility so important to the rural peasantry. The relation of this last group of deities to the social structure is quite complex and it seems that certain Teutonic peoples found an important role for the gods of fertility and fecundity in their noble cults. This is an interesting point but will not be pursued here as it is beyond the scope of this article.

There is also important mythical support for Dumezil’s thesis that Indo-European society was based around a tripartite social structure, here the myths are used to support a sociological thesis. Most important in this regard is the Eddic Rigsthula [4], a myth reinforcing the threefold division of society into that of Thrall (slaves), Karl (freemen) and Jarl (nobles) [5]. Some commentators have treated this narrative with critical caution claiming that it is merely a justification for aristocratic rule. This criticism has some force, and indeed the poem could not be seen as a discourse free of value judgements about the merits of the various estates. But we are not here interested in the value judgements that the poem contains, rather we are interested in the social structure it reflects - which is indeed tri-partite. This poem itself seems to be a reflex of an older narrative and may be connected to the earlier continental narrative of the three sons of Mannus, as described by Tacitus, who Dumezil associates with the Indic Manu[6] (See Table 6)[7]. The social stratification has also been preserved in the colour symbolism of Indo-European societies, where Indian, Iranian, Latin and Celtic cultures all associated the priestly or sovereign group with the colour white, warriors with the colour red and peasants with dark colours[8]. Such a schema finds its expression in Teutonic culture where in the Rigsthula the poet mentions the hair colour of Rigr’s three sons, the first Thral has “dark” hair (strophe 7), the second Karl was “ruddy” (strophe 21) and Jarl whose hair was “flaxen” (Strophe 35) [9].

Lincoln’s Hegelian Revision of Dumezil: An alternate Model for Indo-European social structure.

Bruce Lincoln using similar methods to Dumezil and working largely with Indo-Iranian material has proposed a model of Proto-Indo-European society based on a four tiered social system. In essence this system is broadly in harmony with the tripartite model of Dumezil yet this system is also one that allows for a greater degree of complexity in the power relations between the various groupings of people in the system. Lincoln has referred to his own model of Indo-European society, in Hegelian terms, as one of ‘dialectical binary opposition’. To demonstrate what this involves one must turn to the system itself. Lincoln sees Indo-European society as one which is based on a series of binary oppositions which become more restrictive as one moves up the scale and more open and inclusive as one moves down the scale towards its base. For Lincoln the basis of this system begins by a strict definition of ‘our’ people against ‘other’ peoples - there is a binary opposition between ‘us’ and ‘them’. At the next level the system divides our people into two groups, commoners and the upper classes - this forms the first internal binary opposition. The upper classes are then themselves divided into warriors and sovereigns. Finally sovereignty is itself divided. Sovereignty for Lincoln was divided into kingly duties, the maintenance of proper order in ‘this’ world and priestly duties, revolving around the maintenance of the relationship with the ‘supernatural’ world (see tables 2 & 3). It can be seen that in this system there is a process of division or separation of peoples into two groups where one group is privileged over the other. The privileged group then becomes a tight circle - warded from outsiders - an inner core that leaves a remainder on the outside. Ultimately this inner circle is itself further divided as the process continues until the ultimate binary opposition is reached - the opposition of priests and kings - at this level the power must be balanced.

This system is one that is marked by a high degree of ethnocentricity where it is difficult for outsiders to penetrate into the inner sanctums of society. From a linguistic study a society emerges which has a high degree of cultural or, more specifically, ethnic ’self-consciousness’ and hence a society that is highly conscious of cultural or ethnic difference. Most importantly a society emerges which is united by close knit kin ties, a society in which hospitality and reciprocity are an ideal when extended to members of the group, but are always hesitantly extended to the ‘other’[10]. In this regard kin loyalties are the primary and overriding loyalties of the society - kin come first and foremost, the kin group is placed above the tribe and even above the self - this is a tight group, an inner circle - a circle of trust or, as we Ásatrúar would have it, a circle of troth. This does not imply that outsiders cannot be integrated within this society, this is not the case as there are many ways that outsiders can be integrated within the society. What is indicated by this is that such integration is an exception rather than the norm, normatively Indo-European society is marked by a sense of closure to outsiders.

Another point which is central to Lincoln’s thesis relates to ecological and socio-economic factors - the importance of cattle (mobile wealth) to the Indo-European economy. Lincoln proposes an ecological basis for Indo-European society and religion, viewing their society as one that grew out of their pastoralist life style. It is this ecological basis which, when combined with the dialectical binary opposition as a mode of structuring social relations, contributes greatly to the nature of Indo-European traditions - especially the importance of wealth and the giving of prized possessions to the Gods. In a reconstructed myth cycle Lincoln makes the relationship of the gods, the people and cattle clear - here we will encounter the reconstructed Indo-European terminology for our tribe, the *arya, and for all ‘other’ tribes, the *dasa. The sovereign deities give cattle (mobile wealth) to ‘our’ people, the *arya, cattle as a form of wealth is our divine gift. This divine gift can be stolen by the *dasa, and indeed some portion of this divine gift has been stolen by them, their possession of cattle is evidence of this fact - it is a transgression of divine decree. This necessitates a raid by the *arya warriors who win back the lost cattle and return them to the sovereign class. Finally the priests sacrifice the cattle - thus returning a share of the wealth to the Gods who gave it - this sacrifice is made in order that the celestial sovereigns will grant an increase in cattle and warriors[11], it is made in the spirit of reciprocity.

It must be remembered that this is a reconstructed proto-Indo-European myth cycle, a myth cycle that is supposed to represent the beliefs of the proto-Indo-Europeans who lived in the second millennia BCE - not one that perfectly reflects any of the ways of the later Indo-European cultures. Yet elements of this myth cycle are kept alive in the traditions of later Indo-European peoples and for Northern European people this is clearly demonstrated in both the Celtic tradition, with their Cattle raid cycles such as the Táin Bó Cuailnge and in the Teutonic world it seems best exemplified by the concept of raiding - a practice common to the Viking age.

Conclusion to Part One.

This concludes our consideration of the nature of the sources for a reconstructed Teutonic religion, its relation to the Indo-European tradition and the outline of the two most important approaches to reconstruction from an Indo-European basis. It is the opinion of this author that while culturally specific studies are the fundamental point of departure for all reconstruction of Teutonic religion, the Indo-European approach still has much to offer in filling out and deepening our understanding of the Teutonic tradition. Dumezil was vital to this modern Indo-European perspective on Teutonic religion and it was Dumezil who first proposed a bifunctionality in the role of Indo-European sovereignty. The work of Linclon is an important continuation of Dumezil’s work and one that overcomes many of the criticisms leveled at Dumezil’s approach. Importantly Lincoln’s thesis maintains a similar bifunctionality in sovereignty to that which was proposed by Dumezil, a bifunctionality of rule which seems to have been the norm in Indo-European society. This notion is extremely important for understanding the social structure of Indo-European society and also for understanding the sovereign function of both the ruling classes of the human social realm and the role of divine sovereignty in the mythical realms. The remainder of this article will deal with this issue explicitly and focus on how this notion is played out in a specifically Teutonic context.

Part Two: Indo-European and Teutonic conceptions of Soverignty and the Great Gods of the Teutonic Tradition - Odhinn and Tyr.


In our consideration of the role of sovereignty for the Teutonic folk it is important to firstly clarify the exact nature of juridical versus magical sovereignty in Indo-European society generally and the different ways these roles are approached by the two theorists under consideration - Dumezil and Lincoln. This consideration will be framed against a consideration of the way sovereignty is played out in a particularly Teutonic setting and will lead into many issues which are vital to understanding Teutonic Religion.

Sovereignty and bi-functionality: a controversial thesis

Unlike Dumezil, who characterises the dual sovereign roles as juridical and magical, Lincoln narrows the semantic field of the respective functions to kings and priests. While the evidence from Indo-Iranian material would justify Lincoln’s conclusion, whether this is applicable to the Germanic concept of sovereignty is a matter of debate. There is little evidence of any organised, specific, ‘priestly class’ in Germanic society[12] - in fact the Godhar (plural) of Scandinavia are not specifically religious functionaries and their role seems to span religious, legal and political functions. In a sense they are like the tribal ‘Big Men’ of Papua New Guinea, they are the focal point of the community for almost all matters of community importance be that religious, legal and political. Hence for the Godhi (singular masculine) and Gythja (singular feminine) the prime focus was on the community and community cohesion, they did have an important relation to the Gods as head of the community but they acted more as chieftains than as priests.

Some have doubted the importance of any bi-functional division at all, on the basis that a variety of social systems developed in Germanic lands. It is an undeniable fact that, from all the evidence, there does seem to have been some very different social systems within the Teutonic world. According to Caesar, those tribes nearer the Roman Empire were more warlike and subjected to a totalitarian agricultural system[13]. A social system whose foundation is the act of war, the leaders of war bands held great power - such power can be seen as corresponding to the theological concepts expressed by Valhalla[14] where warriors are united by their loyalty to one war-chieftain or Drighten who leads them in battle and in feast. Here the Drighten is an earthly reflection of Odhinn. This reflects a society in which the ideals are physical and magical might, the capacity for martial prowess, bravery and above all loyalty to one’s lord. The honor system, which determined a persons social standing was dependent on the degree to which they lived up to these ideals. This is a social system that is far removed from the hereditary system of Rome. It differs also from Scandinavia, a more stable society, in which hereditary land tenure developed, however loyalty to king and especially to ones kin are also vital[15]. Hence there seems to be quite a gap between the social structure of the migration age Teutonic society and the more settled existence of their later Scandinavian cousins.

Far from its intention, this criticism might only serve to highlight the dual nature of sovereignty in Germanic society and the evidence does seem to be in accord with the Dumezilian model. From this evidence one might propose a model of sovereignty which has the capacity to move between two modalities of social behavior. Sovereignty can be seen as divided between two leaders, one for times of peace, conducive to stability, prosperity and structure (a juridical mode of sovereignty), the basis for its society is hereditary land tenure and aristocratic rule. The other social modality is one that suits times of social instability and war, a harsh and totalitarian social mode marked by the dissolution of stable hereditary structures, expansiveness and violence (physical and magical), the basis for this society was autocratic. In each case the sovereigns operate along a continuum of war and peace as two alternate modes of sovereignty for a society.

Soverignty and power - the power to command

Primarily the sovereigns access power through words and communication, however they used the power of the word in different ways, the magical or priestly power is accessed through Galdor (a form of incantation usually expressed in poetry or verse), and kingly power is emphasised by the power to command at the material level. Priestly and magical rulers effect change through the manipulation of the mythic or sacral dimension through the use of the word in its poetic manifestation - the vehicle of mythic expression - this is the power of magical command. Whereas the chieftain or King effects change through the manipulation of the material dimension through the use of the word in more prosaic directives or commands. The power of the word is reflected in the nature of one of the main sovereign gods of the Norse, Odhinn, who is said to speak only in poetry, an art form important to Germanic aristocracy, indicating some form of divine reverence for the spoken word. The relation of speech to the supernatural can also be seen in Germanic religion, especially the importance of prophetic speech and communication with dead ancestors in times of crisis. The importance of speech for sovereignty is also evidenced in the legal sphere were the term ‘Lawspeaker’ is applied to the leader of the Thing (assembly). Finally, the binding and sacral power of the word, in Teutonic society, is further evidenced through the importance placed on the act of swearing oaths - one is bound to enact the terms of ones oath or suffer a humiliating loss of honor. The words spoken by the Teutonic hero during a communal drinking session were taken as an oath, words which must be matched with action otherwise honor is lost[16].

Duality and sacral unity: the ultimate unity of duality

Kingly power is temporal and relates to command in this world, the priests’ power is sacral and relates to communication with the ‘other world’. This worldview seems to be marked by a duality between this world and the ’supernatural’ order - yet no such duality in fact exists, the duality is a practical social duality. Some theorist say that this duality is evidenced by linguistic studies of Indo-European religious terminology, which seems to be arranged in doublets, one referring to sacred nature, the other to its secular nature[17]. These theorists are correct to point out this system of doublets but one must bare in mind that the dualisms which exists between them is not that of two opposed substances, one material and one sacred, but rather a conceptual dualism whereby the world can be classified in terms of two different categorical schemas - one material the other sacral. The radical substance dualism of Christianity, where spirit and matter are radically opposed substances, is foreign to the worldview of our ancestors. Likewise the kind of substance dualism that is found in early modern notions of mind - where mind is seen as something radically other than the material body - such notions are mere secularisations of the original Christian substance dualism. These notions are alien to our ancestors who viewed the universe as a complex whole, comprised of many interrelated, yet not opposed, parts - a cosmic or sacred unity.

This being said one must account for the fact that this cosmic and sacred unity exists side by side with an apparent conceptual or terminological dualism. This terminological opposition is strikingly present in Germanic religious terminology where two different modalities of the holy manifest. Firstly there is a form of the sacred which specifically relates to healthy or whole material manifestation. This concept is rendered by the proto-Teutonic term *hailagaz or wholeness and integration, the holy seed of life[18] - the terms whole, health and holy are all concepts that are derived from this proto-Teutonic root word. This form of the sacred is represented by all forms of whole and integrated being - in terms of sovereignty this form of the sacred is represented by the king who is the material affirmation of the divine immanence and a reflection of the wholeness and health of the lands he rules. This principle of wholeness or integration is possibly a principle that Yggdrasill metaphorically embodies[19]. Conceptually the world can be considered from the point of view of *hailagaz, in this case the more integration, wholeness and health that an object, person or group demonstrates the more it demonstrates the principle of *Hailagaz.

The other expression of the holy in the Teutonic languages relates to a concept of individuation or separateness, it relates to that which has been marked out as special. This notion is rendered by the reconstructed word *Wihaz, this is the power that the priest must regulate - a power that seems to be otherworldly. This concept is embodied in a number of different ways in the Teutonic tradition, firstly and most importantly it is connected to the Old Icelandic word for a sacred site or Wih-stead. Here the use of a word which is related to *Wihaz denotes that the space signified is special or separate from the space that surrounds it, that it is marked out by an main that is particular to it. Another important term which is a cognate of *Wihaz is the Old Icelandic word for banner - - here what is indicated is that the group of individuals that are united under this banner are a select group, separate from the masses which exist outside of the unity of this banner - it denotes a sense of separation. Hence banners signify the sacral nature of a group. Here the sense of particularity and separation that is embodied in the banner is a reflex of the dialectical binary opposition that was encountered in the social sphere. From a mass which is originally a unity it distinguishes a subset which is special and select, this subset is given unity by the commonality of sharing in the *Wihaz energy, the specific form this energy takes is physically embodied in the banner or which marks the group. To ‘march under one banner’ is to acknowledge that those who march under that banner share some particular trait or goal - thus separating the group from the mass but creating a strong internal unity within that group.

This last example gives us good ground to destabilise the notion that these two terms for the holy are somehow mutually exclusive or dichotomous terms. For if we consider the fact that a group can be both *Hailagaz, that is unified, whole and integrated as a healthy group should be, yet also *Wihaz or separate, individuated or select - apart from the masses which surround it - then we can see that there is no opposition between the terms. These two terms represent two ways or perspectives that one can take in regard to objects, one can consider its health or wholeness and on the other hand one can consider its separateness or individuality. One might also posit that the more an object demonstrates the *Hailagaz energy (wholeness) the more it will also demonstrate *Wihaz energy (individuality) - as that which is whole and integrated is also that which is more self-contained and individuated. Likewise in order for something to be *Hailagaz (whole or integrated) there must also be a sense in which it is first *Wihaz (individuated or separate).

These two terms merely represent two different principles of judgement applied by two forms of thinking about the world in Teutonic society - a form typical of the juridical sovereignty of Kings (*Hailagaz) and a form typical of the Magical sovereignty of the mage or priest (*Wihaz). Yet just as the two social roles are seen as two faces of the principle of sovereignty so too these two terms which denote the holy are two faces of a more unified principle of the sacred - a principle preserved in the runic formula found on the Pietroassa ring - Wihailag. A compound word which combines the notion of *Wihaz here rendered in the form Wih and the notion of *Hailagaz here rendered in the form Hailag. That which is Wihailag is that which is both a) whole, integrated, healthy and hence holy (*Hailagaz), but also that which is b) separate, special or marked off from the masses (*Wihaz). The highest form of the holy in the Teutonic tradition must demonstrate the unity of these two notions of the sacred, hence the highest social level, that of sovereignty, bares the marks of this notion of the holy - it is a unity of two functions, that which unifies through outward command and that which individuates through magical command.

Principles of Judgement: Perspectivity and the Cosmos

One of the interesting points to note from the above discussion is the relationship between the subjectivity of the particular perspectives and the unity within which those perspectives exist. Both the terms for the holy in the Teutonic tradition can be seen as principles of judgement - they are two different perspectives that one can take in regard to the world. Importantly these two perspectives are not mutually exclusive, taking up one perspective does not exclude the possibility that one could also take up the other - one taking the principle of wholeness as its principle of judgement, the other taking the principle of separateness and individuality as its principle of judgement. Indeed, as we have seen, both views are ultimately united and find unified expression in the term Wihailag. The idea that there are a number of principles of judgement which present unique perspectives on the world yet are not mutually exclusive is an interesting one and one that we should take time to consider - as philosophically this is a very modern way of thinking about the world, our ancestors did indeed develop a very advanced and subtle way of thinking about the world.

The Eddic poem Alvismal, a didactic poem which is designed to teach skalds the use of terminology in all worlds[20], may preserve evidence for the idea that in Germanic religion, there are a number of different principles of judgement - none of which are mutually exclusive. The poem demonstrates that the various objects of the worlds are known by different names from the perspective of different entities and hence in terms of mythological meaning and sacral significance the world is a multivalent object. In other words the various objects that we encounter in the world are not reducible to a single meaning. It demonstrates that the various material entities that we encounter in our world are understood in very different ways depending on whether one is a God, man, giant, dwarf, elf or ghost. This shows that the one universe that is inhabited by all of these entities can be conceptualised in different ways - that the world means different things to different entities.

Important for our discussion is that the poem constantly juxtaposes the terminology of the Gods to the terminology of human folk - showing a dual conceptualisation of a united cosmos - one material the other mythic or sacral. Consider the following example, when asked about the names of the Earth Alvís answers “‘Tis hight ‘Earth’ among men, among Aesir ‘Land’;” (strophe 10, Alvíssmál). This implies a different linguistic and cognitive relation to the one material entity - the Earth - it does not imply that these two terms relate to two different material entities. It is possible that these two ways of understanding the world might harmonise with the perspective of juridical and magical sovereignty. The perspective of ‘men’ might represent the concrete and material understanding which would be important to juridical rule, where as the perspective of the ‘Gods’ might represent the mythic or sacral conception of the cosmos. While this proposal is merely speculative what must be noted is that the poem Alvíssmál provides a literary precedent for the idea that our ancestors understood the nature of perspectivity - that they understood that there were different ways of relating to the same cosmos.

Bi-functionality and the Gods

Dumezil in his book “Mitra-Varuna” proposes that the bi-functionality of sovereignty is best expressed by two sovereign gods whose names, in Sanskrit texts, are usually presented as united - Mitra-Varuna (see table 5). This dual function grew out of the original otiose Indo-European sky-god *deiwo (celestial)[21], the only term for god common to Indo-European peoples[22]. Here we find support for the notion that duality in the Indo-European tradition is duality of aspect or perspective rather than duality of substance. In the first case the dual name Mitra-Varuna demonstrates a unity in duality or a duality in unity - the dual nature of the coupling is overcome by the symbiotic relationship of the two. In the second case we can see that this duality is itself derivative of a more fundamental unity and the coupling Mitra-Varuna emerges from an original united entity *deiwo. Hence these two sovereign deities do not represent two separate functions but two potential modalities of the same sovereign function. To understand this we will need to explore the nature of these two deities.

The deity Mitra (friend, god of the contract), like the king, is responsible for the bond of men in this world and provides and maintains the social contract - he keeps the material order whole through the juridical bonds that unite men, he operates under the principle of *Hailagaz. The deity Varuna on the other hand is related to the supernatural cosmic order (rta) and magic, he is a dark god who binds or fetters those who break the social contract. Varuna is a dark deity that uses his magical potency to bind and discipline individuals, he rules through magical might - fear is the force which binds folk to his laws. Dumezil uses the legend of the founding of Rome to further demonstrate this bi-functional sovereignty (see table 2). In this legend, the young and war-like Romulus who establishes the material Rome with military might, is followed by a wise old law maker, Numa, who establishes the law and religion of Rome and thus provides its spiritual birth[23]. Dumezil further compares these two gods with the Norse sovereign gods Odhinn (Varuna), and Tyr (Mitra)[24] (see table 5). This connection might seem to be a tenuous one, as Lincoln identifies Tyr with the *deiwo (celestial), which gives the Indo-European *dieu-s, Latin dius, Greek Zeus and the German *teiwaz[25]. Eliade would seem to agree that Tyr and *teiwaz represent the old Germanic celestial sovereign, who due to remoteness become otiose and many of his functions replaced by other closer sky powers[26].

Tyr and Mitra

While there may be good etymological reason to associate the god Tyr with the proto-Indo-European *deiwo the Tyr encountered in the Mythology does seem to have something in common with Dumezil’s Mitra. There is indeed a sovereign and a juridical air associated with the deity Tyr - for he is a God who uses contracts to preserve cosmic order, even if this means accepting a painful fate, the loss of his hand. Both Dumezil and J. De Vries conclude that Tyr is the chief judicial god for the Germanic people, and it was Tyr or *teiwaz who was behind the Romanised Mars Thincsus[27], a god who presided over legal assemblies. There is also, however, a warrior aspect to the God Tyr, which is alluded to in Gylfaginning where he is referred to as a God who is “the bravest and most valiant and he has great power over victory in battles.” [28]. Yet this reference does not seem to fit well with the fact that this god is never depicted in battle, rather we are reminded of the Iranian Mitra who was shown as master of verethranga (the spirit of victory)[29]. The tension between the juridical and the warrior functions of Tyr and the Iranian Mitra seem to present a challenge to the bi-polarity of sovereignty, demonstrating that the deities themselves are not reducible to a single function.

That the juridical god of the Germans might take on a martial air is not entirely surprising when we consider that warfare itself might be envisaged as a “decision obtained between two combatants and secured by precise rules of law”[30]. Warfare itself might be considered from a juridical perspective, a consideration that would seem to harmonise with our modern ‘adversarial’ legal system. If we move to a consideration of the judicial process of our ancestors and particularly the evidence from Iceland we see too that this legal process bears marks of violent confrontation. All the men involved were armed and, as the early Germans of Caesar, shake their weapons in approval of a decision. Most of the decisions reached at the Thing are reach by a verbal struggle of two groups, each trying to impose their will on the other[31]. Tyr, like Mitra, represents the rule of law, he grants victory to the just whether that be on the battlefield or in the legal assembly. Tyr is a ‘pillar’ of society and originator of the social contract that binds the community, he is invoked for ‘just victory’ both in war and in legal assemblies - he is the god of the aristocrat. The kind of sovereignty that is represented by this deity is the kind of aristocratic or noble rule that is fitting for a stable society free from the chaotic pressures of migration or war. Tyr rules that function of sovereignty that we have designated juridical, he is the god of the material order and the right of command. At the material and juridical level his binding social decree is that which brings unity to the social order - he is the God of the principle of *Hailagaz. Yet the same juridical decree which unifies the social order making it whole is also implicitly a decree which individuates or separates that social order from those which surround it - hence *Wihaz is concealed within *Hailagaz.

Odhinn and Varuna

In the Eddic texts and Snorri’s Prose Edda, Odhinn[32] is portrayed as the father of the cosmos and of the gods, he is a primal figure and a divine leader. Unlike Varuna, Odhinn is closely associated with war, a trait which Dumezil sees as particularly Germanic, and a trait which also marks the nature of the other sovereign god, Tyr. Yet whilst Tyr seems to be concerned with the juridical nature of the act of war and the distribution of justice on the battle field, Odhinn’s relation to the art of war is far less benevolent. Odhinn is no lover of just victory, and indeed to be chosen by Odhinn is to be slain in battle rather than to be victorious. Odhinn’s love of war stems from a love of the magical energy of the fray - the heightened senses, the rush of adrenaline and the divine furor. His love of war is also related to his own power, for the strife of warfare and the blood of the battlefield are vehicles for the empowerment of Valhalla, bringing a new influx of warriors into Odhinn’s hall. Dumezil and De Vreis both place Odhinn at the head of the Germanic pantheon, he is the most distant god, he cares little for human affairs and is more concerned with human death than life. He is the most transcendent god, a god who is beyond human understanding, a god to be respected yet feared.

The similarities between Odhinn and Varuna are striking. Odinn, the battle god, is a psycho-pomp, gathering those killed in battle to be by his side - he is venerated by warriors, yet he is a god who never really takes part in battle, just as Varuna is unconquerable, yet never fights. Despite the loss of one eye, Odhinn is still omniscient, Varuna is also omniscient and with a thousand yellow eyes (the stars of the night sky), sees and knows all. Odhinn is a necromancer who has the ability to talk to the dead especially the victims of the gallows. In Indic texts Varuna is associated with the night and the moon, he too is a dark god. Odhinn is the master of fetters, which he can cause to be placed on people especially in battle. Varuna is also associated with fetters, he binds those who break the contract of Mitra. Both Odhinn and Varuna are often portrayed as old men, yet it is said of both that they are remarkable looking[33]. Odhinn is the supreme mystic, relentlessly in search of ‘otherworldly’ knowledge. Like Varuna he is the initiated mage, he knows the secret of the runes. Most importantly Odhinn, like Varuna, is not a beneficent deity, many of his names reveal his sinister nature, he is a hooded or masked god who belongs to the world of magic, strife and death. Thus, Odhinn is not only a deity who is closely associated with the magical function of sovereignty, the ‘terrible king’, he would also seem to share many aspects of correspondence with Varuna, who represents the same function. Odhinn is not a ruler for times of peace and stability, the stability of settled life seems almost anathema to his nature. Odhinn is the God of the warrior and frontiersmen, the God of the Drighten who leads the war-band to fame and glory. He governs the principle of magical sovereignty and rules through magical might. Those who march under Odhinn’s banner are a select group who master their fear and tread baldly into dark and unknown territories - they march under the raven banner, they are *Wihaz, separate from the mass. Yet within this separateness there is the implicit unity of those who share common aims, those who follow Odhinn’s path, the path of magical self actualisation, are indeed a select, separate and special group, yet one which are united by their ties to the Odhinnic energy - hence *Wihaz conceals *Hailagaz.

Odhinn, Poetry and Odhinnic Cults

Odhinn is the god who is most closely associated with poetic inspiration. In Ynglinga Saga, Snorri states that his temple priests were called “songsmiths”[34]. Yet the evidence for an Odinnic cult, especially in Iceland, is very limited. Many believe that if such a cult existed it was restricted to the Scandinavian peninsula and Denmark[35]. In Iceland there is no place name evidence to support the worship of this god, and the only literary evidence for worship of him comes from the sagas, which are more concerned with artistry than with history. Despite this the poetic Edda and the Prose Edda, Icelandic sources, portray Odhinn as the most active and dominant god. Examining the social causes of the Icelandic migration provides some insight into why this might be.

It is claimed by many of the sagas that the Icelandic migrations were in effect the result of King Harald’s attempt to centralise Norway[36]. Many Norwegian aristocrats resented the autocratic, totalitarian and ultimately Odhininic tendencies of Harald and, in equally Odhinnic fashion, decided to preserve their independence and to migrate West to Iceland where they could continue their system of hereditary land tenure. Many of these aristocrats may have worshiped Odhinn who is, as we have seen, an aristocratic God. But King Harald himself seems to have been a worshiper of Odhinn and indeed seems to represent some of the potential excesses of those who worship Odhinn - the capacity to become a tyrant. It has been posited that the excesses of Harald made many Scandinavians suspicious of the Cult of Odhinn and that this suspicion had the effect of driving the Odhinnic cult underground, into concealment or occultation.

The fact that Icelandic literature related to Odhinn is so plentiful, would indicate that the poets of Iceland had a great deal of knowledge about this god and his role in the Norse pantheon. This alone is sufficient evidence that many of those who settled in Iceland where followers of this dark God. It must indeed be countenanced that this effusion of poetic sources on Odhinn in Iceland was a product of the fact that he was the God of poets and hence the God that poets would have felt closest to and known most about. But it seems that Iceland itself had more than its fair share of poets and Skalds, who were also predominantly members of the more noble classes. Surely the cult of Odhinn was something that these noblemen and poets took with them when they migrated to Iceland - it would be difficult to imagine that the cult was something that was left behind or rejected by those who settled Iceland. Hence the absence of cultic and place name evidence for the cult of Odhinn may indicate the worship of Odhinn was something which was restricted to the halls of the aristocrat and possibly subject to some secrecy.

Odhinn, Tyr, Mutilation and Ragnarok

Odhinn and Tyr are both depicted as mutilated gods, Odhinn has only one eye and Tyr only one hand and while this seems to be a mere coincidence their respective mutilations can in fact tell us something about the nature of the deity and the nature of the specific form of sovereignty that the deity presides over. The actual details of Odhinn’s mutilation are quite vague and no direct narrative is given, all that is known is that he pledged his eye at Mimirs well. This pledge is seen as an exchange for knowledge, Odhinn sacrifices physical vision for spiritual vision, this exchange forms part of Odhinn’s quest for knowledge. It is only through occult knowledge that Odhinn can hope to prevent Ragnarok. He is acting in full accord with his sovereign function[37], he is guarding his social unit from hostile forces and trying to preserve both the individuality (*Wihaz) and the unity or wholeness (*Hailagaz) of that group. The means that Odhinn deploys towards this end is the magical sacrifice of his eye in exchange for magical insight into the workings of the world - Odhinn uses magical technique to preserve the social order. Very important in this regard is the fact that through preserving the social order Odhinn also preserves his own right of sovereignty.

The encounter between Tyr and the wolf Fenrir and Tyr’s resulting injury is also interesting when considered in relation to the proposed function of the god as sovereign jurist. In the narrative as given by Snorri in Gylfaginning the god was not at all unaware of his potential fate. In fact he seizes the opportunity to bind the wolf by using the terms of the Fenrir’s own contract. Admittedly the terms are harsh for Tyr, but the result is that the wolf is bound and Asgard is safe. In fact the ruse is so successful that the wolf is not heard of again until Ragnarok. This is a story of a sovereign god who manipulates contracts so as to defeat an enemy and to the benefit of society[38]. Tyr uses the juridically binding contract as a vehicle to prevent the social unity (*Hailagaz) from being sundered and dissolved by the wolf Fenrir - in so doing he preserves the social unity as an individuated and separate unity (*Wihaz).

Both these deities make a self-sacrifice that is for the benefit of cosmic order - both of their sacrifices preserve the cosmic and divine unity of the worlds. But their respective sacrifices are very different in nature and tell us much about the deities. Fittingly the Odinnic sacrifice is not merely aimed towards preserving social unity it also represents a sacrifice for personal gain, the self-sacrifice of a mystic or shaman who seeks knowledge. So whilst Odhinn assists in maintaining cosmic unity (*Hailagaz) his sacrifice increases the degree to which his own being is separate (*Wihaz) as this act of sacrifice increases his personal power and adds to his personal capabilities. Tyr’s sacrifice is for the benefit of the community of gods, it is the jurist’s sacrifice, giving of the self to protect society. His sacrifice maintains the community in unity and separateness, it staves off dissolution, but this is only achieved through the loss of his personal powers. Tyr sacrifices his own individual powers (*Wihaz) through the loss of his hand, he also sacrifices his health and wholeness (*Hailagaz) through this sacrifice but maintains the cosmic and social unity. Odhinn Balances the his physical sacrifice, an act which decreases his health and wholeness but gains an increase in personal power - indeed Odhinn must sacrifice in order to help maintain the cosmic and social unity but with his sacrifice comes a boon. Odhinn, Drighten and mage, will accept personal pain and suffering so long as that suffering brings with it an increase of power.

Conclusion
To be concluded!!!




Appendix.

Table 1. [39]
Comparison of proscribed behaviour between Roman and Vedic Hindu priests.

Flamen Dialos
Brahman

*Despite their contextual remoteness both the Roman and Hindu priestly class show many aspects of correspondence.

Table 2. [40]

Antithetical roles of Luperci and Flamen Dialos in Roman society.

* The Luperci were the warrior band who accompanied Romulus. This table demonstrates the antithetical nature of sovereignty in Roman society.

Table 3. [41]

Antithetical roles of Gandharva and Brahman in Vedic society.

*The Gandharva were a mysterious band of warriors in Hindu mythology.
Table 4. [42]

Antithetical nature of Mitra and Varuna in Vedic society.

Table 5. [43]

Antithetical nature of Odinn and Tyr in Germanic society.

Table 6. [44]

Dumezil’s Three functions and Germanic religion.


Bibliography.

H. Aguilar. The Sacrifice in the Rgveda. Bharatiya Vidya Prakashan. Delhi. (1976).

Caesar. The Gallic Wars.(C. Hammond. Trans.) Oxford University Press. Oxford. (1996).

Clunies-Ross, M. Prolonged Echoes: Old Norse Myths in Medieval Northern Society. Odense University Press. Canberra. (1994).

Ursula Dronke. Myth and Fiction in early Norse Lands. Variorum. Vermont. (1996).

Georges Dumezil. Gods of the Ancient Northmen. University of California Press. Berkeley. (1973).

Georges Dumezil. Mitra- Varuna: An Essay on Two Indo European Representations of Sovereignty. Zone Books. (1988).

Mircea Eliade. The Sacred and the Profane: The Nature of Religion. Harcourt, Brace & World, Inc. New York. (1959).

Mircea Eliade. Patterns in Comparative Religion. University of Nebraska Press. Lincoln. (1996).

Michael J. Enwrite. Lady with a Mead Cup: Ritual Prophesy and Lordship in the European War-band from the La tene to the Viking age. Four Courts Press. Dublin. (1996).

Gavin Flood. An Introduction to Hinduism. Cambridge University Press. Cambridge. (1996).

Dominic Goodall. Hindu Scriptures. Orion Books Ltd. London. (1996).

Hollander, Lee. M. (ed. and trans.) The Poetic Edda. (Second Edition) The University of Texas Press, Austin. 1996.

Kristjansson, J. Foote, P (ed). Eddas and Sagas: Iceland’s Medieval literature. Hid islenska bokmenntafelag. Reykjavik. (1988).

Bruce Lincoln. Priest Warriors and Cattle: A Study in the Ecology of Religions. University of California Press. Berkeley. (1981).

Bruce Lincoln. Myth Cosmos and Society: Indo-European Themes of Creation and Destruction. Harvard University Press. London (1986).

Bruce Lincoln. Death, War and Sacrifice: Studies in ideology and practice. University of Chicago Press. Chicago. (1991).


J. P. Mallory. In Search of the Indo-Europeans: Language Archaeology and Myth. Thames and Hudson. London. (1989).

Britt- Mari Nasstrom. Freyja- the Great Goddess of the North. Lund Studies in History of Religions. University of Lund. Sweden (1995).

Meulengracht-Sorensen, P. The Unmanly man. Odense University Press. Canberra. (1992)

Palsson, H. Edwards, P. (eds.) Eyrbyggja Saga. Penguin Books. Ringwood Victoria. (1992.).

Palsson, H. Edwards, P. (eds.) Egil’s Saga. Penguin Books. Ringwood Victoria. (1976.).

Edgar C Polome. Language society and Paeleoculture: Essays by Edgar C. Polome. Stanford University Press. Stanford. (1982).

Edgar C. Polome. Essays on Germanic religion. Institute for the Study of Man. Washington. DC (1989).

Sturluson, S. Heimskringla: History of the Kings of Norway. (Hollander L. trans.) University of Texas Press, Austin. (1991).

Tacitus. The Agricola and The Germania. (H. Mattingly & S.A. Handford. Trans). Penguin Books (1970).

Talley, J.E. Runes mandrake and the Gallows. University of California. Los Angles. Germanic Religion. Course Book. Sydney University. (1997)

Turville-Petre, E.O.G. Myth and religion in the North: The Religion of Ancient Scandinavia. University of Oxford Press. London. (1964).

Turville-Petre, E.O.G. The Cult of Odinn in Iceland. Nine Norse Studies. Course Book. Germanic Religion. Sydney University. (1997). (No reference in course book)

Turville-Petre, E.O.G. Origins of Icelandic Literature. The Clarendon Press. Oxford. (1953).


[1] Caesar. The Gallic Wars.(C. Hammond. Trans.) Oxford University Press. Oxford. (1996).
[2] Tacitus. The Agricola and The Germania. (H. Mattingly & S.A. Handford. Trans). Penguin Books (1970).
[3] J. P. Mallory. In Search of the Indo-Europeans: Language Archaeology and Myth. Thames and Hudson. London. (1989). p 132.
[4] Lee. M. Hollander. The Poetic Edda. University of Texas Press. Austin. (1996)
[5] Ritual evidence for this structure can be found in the hierarchy of sacrifice. The nature of animals sacrificed would depend on the nature of that deity, hence the sovereign, Norse god, Odinn is the only god who receives human sacrifices. This hierarchy of sacrifice can also be seen in the way the sacrifice is divided according to Vedic ritual. This division basically reinforces the social structure, where the portion of the sacrifice received by the participant reflects their social status.
Bruce Lincoln. Death, War and Sacrifice: Studies in ideology and practice. University of Chicago Press. Chicago. (1991).
[6] Op cit. J.P.Mallory. (1989) p. 130
[7] Dumezil also allows for what he terms Glissement, a sliding between functions, this is especially evident between the first between the sovereigns and warriors.
[8] J. P. Mallory. In Search of the Indo-Europeans: Language Archaeology and Myth. Thames and Hudson. London. (1989). p 132
[9] Op cit. Lee. Hollander. (1996). p. 121. There is some debate as to exactly who this Rigr is, the prose introduction states that the poem is about Heimdallr, however due to the myths sociogonic nature it would be more suited to a sovereign god. Some say that due to the fact that Rigr is also portrayed as an instructor in the art of magic this figure is, necessarily, Odin. Despite this fact one could still mount a convincing argument against this view and in favour of Heimdallr, who is associated with magic ( Gylfaginning 27: A. Faulks. p 25.) Heimdallargaldr. Also both H. Pepping and B. Pering discuss Heimdallr’s association with the cosmic tree (U. Dronk. p. 666-678.), which links the worlds and is a symbol of life and a healthy society. In this sense Heimdallr could also be seen as a sovereign and a lot like Mitra. He also has the role of protector.
[10] Edgar C Polome. Language society and Paeleoculture: Essays by Edgar C. Polome. Stanford University Press. Stanford. (1982). p 297-8. Also Margaret Clunies-Ross notes that Germanic culture is marked by negative reciprocity to outsiders.(1994). p. 103-4.
[11] Bruce Lincoln. Priest Warriors and Cattle: A Study in the Ecology of Religions. University of California Press. Berkeley. (1981). p. 159-62.
[12] This may, however, be due to uniquely Indo-European or alliteratively uniquely Indo-Iranian social developments.
[13]Edgar C. Polome. Essays on Germanic religion. Institute for the Study of Man. Washington. DC (1989). p. 4-5
[14] E.O.G. Turvile Petre. The cult of Odin in Ice Land. In. Nine Norse Studies. Course reader. Myth and Religion of the Germanic People. (1997).
[15] This ideal of loyalty seemed to break down during the viking period, when once again loyalty to a warrior band is more important than traditional loyalties.
[16] Michael J. Enwrite. Lady with a Mead Cup: Ritual Prophesy and Lordship in the European War-band from the La tene to the Viking age. Four Courts Press. Dublin. (1996). p. 15-17.
[17] Op cit Edgar C. Polome. (1989). p. 57.
[18] Mircea Eliade. The Sacred and the Profane: The Nature of Religion. Harcourt, Brace & World, Inc. New York. (1959). p.116-120.
[19] Mircea Eliade. Patterns in Comparative Religion. University of Nebraska Press. Lincoln. (1996). p. 265.
[20] Op cit. Lee M Hollander. (1996) 110.
[21] Op cit. Edgar C Polome (1982). p. 286.
[22] Ibid. p285.
[23] This is further reflected in the relationship of the flamen dialis (priest of Jupiter) and rex sacrorum (holy king) who headed the early Roman hierarchy. Their roles and rules of conduct are in an antithetical relation, one marked by celeritas (swiftness, vitality) in the domain of the Iuniores (youths), the other by gravitas (heaviness, importance, dignity) in the domain of the Seniores (elders).
[24] It must be recognised that a number of etymologies are possible for these deities, therefore it would be hard to determine correspondences on the basis of name alone.
[25] The sky is one of the most important symbols of transcendence, it encapsulates the ‘otherness’ of the sacred as being beyond and above the self, “the sky shows itself as it really is: infinite, transcendent.”. This transcendence gives rise to the tendency for sky gods to become otiose and are often replaced by other divinities. A prime example of this is the way the Indian Dyaus was replaced by dual sovereigns Mitra-Varuna who together encapsulated “the two powerful and sublime masters of the sky.” (Eliade. 1996. p. 68.)
[26] Op cit. Mircea Eliade. (1996) p. 66-8.
[27] This is attested to be an Anglo-Frisian inscription found in Britain.
[28] Snorri Sturluson. Edda. (A. Faulkes. Trans.) Everyman. London. (1995).Gylfaginning (24). p25.
[29] Op cit. Bruce Lincoln. (1981). p. 98.
[30] Georges Dumezil. Gods of the Ancient Northmen. University of California Press. Berkeley. (1973). p. 44.
[31] Ibid.
[32] The name Odinn derives from the Old Norse Odr, it denotes drunkenness, excitation, poetic genius as well as a violent or rapid movement, particularly of wind or sea. (Dumezil. 1973. p. 36-37.).
[33] Op cit. E.O.G. Turville-Petre. The Cult of Odinn in Iceland. p. 13.
[34] Snorri Sturluson. Heimskringla: History of the Kings of Norway. (Lee. M. Hollander. Trans.) University of Texas Press. Austin. (1991). In relation to Snorri’s comments about the priests of Odinn being refereed to as “songsmiths”, we can possibly gain some insight into the nature of an Odinnic priesthood, by considering the Hindu tradition. The oldest form of the word Brahman, in the masculine, means poet, singer and creator of forms. The word stems from the Indo-Iranian *brazman (E. Polome. 1982). Also it is important to note that almost all Vedic Samhita literature is made up of hymns, songs, verses, incantations, but only limited prose. The mixture of verse and prose in the ‘black’ book of the Yajur Veda, as opposed to the ‘white’ book which is entirely verse. In this respect it must be noted that during the Vedic period poets where used to drive the warriors chariot, they held a special non combatant role. (G. Flood. 1996).
[35]Op cit E.O.G Turville- Petre. The Cult of Odinn In Iceland. p. 6-7.
[36] This would seem to be the case in both Eyrbgyggja Saga and Egil’s Saga.
[37] Georges Dumezil. Mitra- Varuna: An Essay on Two Indo European Representations of Sovereignty. Zone Books. (1988). p. 140.
[38] Ibid. p 142-3.
[39] Op cit. Georges Dumezil. (1996). Addapted from Ch 1, 2 & 3.
[40] Ibid.
[41] Ibid
[42] Op cit. Georges Dumezil. (1996). Adapted from Ch 3,4,5,6 & 7.
[43] Ibid.
[44] See bibliography.

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